{"id":624,"date":"2006-05-12T16:54:30","date_gmt":"2006-05-12T16:54:30","guid":{"rendered":""},"modified":"-0001-11-30T00:00:00","modified_gmt":"-0001-11-29T21:00:00","slug":"tehanu","status":"publish","type":"post","link":"https:\/\/www.emresururi.com\/blogs\/sururi\/2006\/05\/12\/tehanu\/","title":{"rendered":"Tehanu.."},"content":{"rendered":"\n\n
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<\/p>\n
…While we’re at it, Earthsea really does go in order, because it is all one story: A Wizard of Earthsea, The Tombs of Atuan, The Farthest Shore, Tehanu, Tales from Earthsea, The Other Wind. (My British publisher insisted on doing the two last in the wrong order, and I’m very sorry about that, since “Dragonfly” in the Tales makes the bridge between Tehanu and The Other Wind.)<\/p>\n

UKLG<\/b><\/a>, Earthsea<\/i> kitaplar\u0131n\u0131n hangi s\u0131rada okunmas\u0131 gerekti\u011fine dair.. (Alternatif bir listeye ve olaylar\u0131n kronolojik s\u0131ralamas\u0131na da Wikipedia<\/a>‘dan eri\u015febilirsiniz)<\/small><\/div>\n

<\/TD><\/TR><\/TABLE><\/p>\n

<\/p>\n
At the end of the fourth book of Earthsea, Tehanu, the story had arrived at what I felt to be now. And, just as in the now of the so-called real world, I didn’t know what would happen next. I could guess, foretell, fear, hope, but I didn’t know. <\/p>\n

Unable to continue Tehanu’s story (because it hadn’t happened yet) and foolishly assuming that the story of Ged and Tenar had reached its happily-ever-after, I gave the book a subtitle: “The Last Book of Earthsea.” <\/p>\n

O foolish writer. Now moves. Even in storytime, dreamtime, once-upon-a time, now isn’t then. <\/p>\n

Seven or eight years after Tehanu was published, I was asked to write a story set in Earthsea. A mere glimpse at the place told me that things had been happening there while I wasn’t looking. It was high time to go back and find out what was going on now. <\/p>\n

UKLG, Tales from the Earthsea’nin \u00f6ns\u00f6z\u00fcnden<\/div>\n

<\/TD><\/TR><\/TABLE>\n<\/div>\n<\/td>\n

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\"Tehanu\"<\/center><\/div>\n<\/td>\n<\/tr>\n<\/table>\n

Az evvel Tehanu’yu bitirdim. \u0130lk \u00fc\u00e7 kitaptan sonra, hakikaten de zihin a\u00e7\u0131c\u0131 bir kitap oldu. \u0130lk \u00fc\u00e7 kitab\u0131n \u00e7\u0131k\u0131\u015f tarihleri: A Wizard of Earthsea <\/i>– 1968 \/ The Tombs of Atuan <\/i>– 1972 \/ The Farthest Shore <\/i>– 1974. Serinin \u00e7o\u011funlukla \u00fc\u00e7leme diye an\u0131lmas\u0131 da bundan. Hikayeleri saymazsak, seriye ait 4. kitap olan Tehanu<\/i>‘nun yay\u0131mlan\u0131\u015f tarihi 1990. Konu itibar\u0131 ile 3. kitab\u0131n bitti\u011fi yerden ba\u015fl\u0131yor fakat arada bir 20 y\u0131l var. Bu 20 y\u0131l nas\u0131l m\u0131 yans\u0131yor hikayeye ve anlat\u0131ma? \u015e\u00f6yle bir \u00f6rnek vereyim: Tolkien, Hobbit’i 1937’de y\u0131l\u0131nda, Y\u00fcz\u00fcklerin Efendisi serisini ise 1954-55 y\u0131llar\u0131nda yay\u0131mlad\u0131. Bizim zaman\u0131m\u0131zla aradan 20 y\u0131l, romanda da 60 y\u0131l kadar bir zaman ge\u00e7mi\u015ftir. Hobbit’te Bilbo Smaug’u avlamaya gider, Y\u00fcz\u00fcklerin Efendisi’nde ise hepinizin malumu, Ejder yerine Sauron’un \u00fcstesinden gelmeye \u00e7al\u0131\u015f\u0131l\u0131r. Tehanu bu noktada fark\u0131n\u0131 g\u00f6steriyor. Hikayeyi okumayanlara spoil<\/i> etmeden anlatmaya \u00e7al\u0131\u015faca\u011f\u0131m, bu y\u00fczden de biraz sade suya tirit ka\u00e7abilir. \u0130lk \u00fc\u00e7 kitapta kitab\u0131n kahraman\u0131 b\u00fcy\u00fcc\u00fc Ged’in ba\u015f\u0131ndan ge\u00e7en hikayeler anlat\u0131l\u0131yor. Ursula Teyze, “Alegorinin anlam\u0131n\u0131 \u00f6\u011frendi\u011fimden beridir her t\u00fcrl\u00fc tezah\u00fcr\u00fcnden tiksindim” diyen JRRT’nin aksine, ilk kitab\u0131 b\u00fcy\u00fcmeyle, ikinci kitab\u0131 cinsellikle, \u00fc\u00e7\u00fcnc\u00fc kitab\u0131 ise \u00f6l\u00fcmle \u00f6zde\u015fle\u015ftirdi\u011fini s\u00f6ylemeye \u00e7ekinmez. Kitaplar\u0131 okurken bu temalar\u0131 bariz bi\u00e7imde g\u00f6rebiliyorsunuz, ona bir \u015fey demiyorum, hem ben de\u011fil miydim, Richard Kelly Donnie Darko<\/i>‘nun banliy\u00f6de b\u00fcy\u00fcme sanc\u0131lar\u0131n\u0131 anlatt\u0131\u011f\u0131n\u0131 s\u00f6yledi\u011finde, “aaa, hakikaten yahu!” diyen? Neyse, UKLG’e ve Tehanu’ya d\u00f6nmek istiyorum. 3. ile 4. kitaplar aras\u0131nda ge\u00e7en zaman hakikaten Ursula Teyze’ye yaram\u0131\u015f. \u0130lk \u00fc\u00e7 kitab\u0131n bir derdi, anlatmas\u0131 gereken bir olay\u0131 vard\u0131, hedefe varmak isterler, bir sonu vard\u0131r. Tehanu ise yudum yudum tad\u0131na var\u0131lan, dingin bir kitap. \u0130lk \u00fc\u00e7 kitab\u0131 okurken, kitaplar\u0131 be\u011fenmekle birlikte, do\u011frusu UKLG’in ki\u015fili\u011finden yola \u00e7\u0131karak biraz daha beklentiye girmi\u015ftim.. “Bu kral, d\u00fczen sevgisi nereden geliyor yahu? Neden ille de erkekler? Niye ille de d\u00fcnyay\u0131 kurtaran kahramanlar, niye one-man-saves-the-day?..” \u0130\u015fte, teyzem, Tehanu’yla birlikte arad\u0131\u011f\u0131m cevab\u0131 \u00e7ok da sa\u011flam bir \u015fekilde (yine de son 20 sayfay\u0131 saymayal\u0131m) veriyor. S\u0131radan insanlar\u0131n s\u0131radan dertleri. Ged ve Tenar Unplugged<\/i> diyeyim, zaten bilen anlar. Buradaki insanlar\u0131n Ged ve Tenar olmas\u0131 da \u00e7ok fark etmiyor (yine son 20 sayfay\u0131 tenzih ediyorum), hikaye Ged’le ba\u015flam\u0131\u015ft\u0131, onla s\u00fcrs\u00fcn demi\u015f teyzem sanki, yani bir zorunluluk durumu yok. Lebannen’i istese deus-ex-machina olarak kullanabilirdi, kimse kar\u015f\u0131 \u00e7\u0131kmazd\u0131, ama kullanm\u0131yor. Ya da \u015f\u00f6yle diyeyim, az\u0131c\u0131k kullanarak, asl\u0131nda istese k\u00f6k\u00fcne kadar kullanabilece\u011finin sinyalini veriyor. Gelelim dokundurup durdu\u011fum \u015fu son 20 sayfa olay\u0131na (Spark’\u0131n d\u00f6n\u00fc\u015f\u00fcnden itibaren geli\u015fen olaylar): Bu kitap ille de bir alegorinin hedefi olacaksa, o da kad\u0131nl\u0131k<\/i> durumunun olacakt\u0131r; pek memnun olmasam da, bunu kabul edebilirim, peki, mutlaka mesaj vermek istiyorsa, verebilir tabii. Ama \u015fu ejder-insan ikileminde biraz kli\u015feye ka\u00e7\u0131yor. Tehanu vakas\u0131 ise bir adet Grand Closing<\/b> arac\u0131 oluyor. Zaten kitab\u0131n orijinal ad\u0131 da yaln\u0131zca Tehanu<\/i> de\u011fil, Tehanu: The Last Book of Earthsea.<\/i> Bu giri\u015fe ekledi\u011fim kapak \u00e7ok ho\u015fuma gitti, di\u011fer bas\u0131mlar\u0131n kapaklar\u0131yla k\u0131yasland\u0131\u011f\u0131nda da \u00f6ne ge\u00e7iyor. \u0130ngiliz bask\u0131s\u0131n\u0131n kapa\u011f\u0131 imi\u015f. Burada<\/a> buldum, ayn\u0131 yerde di\u011fer kapaklar\u0131 da g\u00f6rebilirsiniz. Amerikan bask\u0131s\u0131n\u0131n kapaklar\u0131 daha bir konsepte uygun gelse de, \u0130ngiliz bas\u0131mlar\u0131n\u0131n kapaklar\u0131 daha i\u00e7ten geliyor.<\/p>\n

Son olarak, \u015fu kitap s\u0131ralamas\u0131n\u0131 ararken, UKLG’in resmi sayfas\u0131nda, Studio Ghibli’nin g\u00f6nderdi\u011fi Gedo Senki<\/i> \u00f6zetini<\/a> okudum da, fena olmam\u0131\u015f ama niye orijinalini yapmak varken, b\u00f6yle bir yola girmi\u015fler, b\u00fct\u00fcn hikayeleri harmanlam\u0131\u015flar? Bir de, Ursula K. LeGuin’in ilgili sitesindeki sayfa sayesinde fark ettim: filmin \u0130ngilizce ad\u0131 hep Tales from Earthsea<\/i> diye ge\u00e7iyor, orijinal ismi ise Gedo Senki<\/i>, yani Tales of Ged. Neyse, zaten s\u0131radaki kitap Tales from Earthsea, okuyal\u0131m, g\u00f6relim. 8)<\/p>\n","protected":false},"excerpt":{"rendered":"

…While we’re at it, Earthsea really does go in order, because it is all one story: A Wizard of Earthsea, The Tombs of Atuan, The Farthest Shore, Tehanu, Tales from Earthsea, The Other Wind. (My British publisher insisted on doing the two last in the wrong order, and I’m very sorry about that, since “Dragonfly” … Okumaya devam et “Tehanu..”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[],"_links":{"self":[{"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/posts\/624"}],"collection":[{"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/comments?post=624"}],"version-history":[{"count":0,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/posts\/624\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/media?parent=624"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/categories?post=624"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/tags?post=624"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}