{"id":6297,"date":"2017-06-12T23:36:44","date_gmt":"2017-06-12T20:36:44","guid":{"rendered":"http:\/\/www.emresururi.com\/blogs\/sururi\/?p=6297"},"modified":"2017-06-14T18:43:31","modified_gmt":"2017-06-14T15:43:31","slug":"oku-izle-dinle","status":"publish","type":"post","link":"https:\/\/www.emresururi.com\/blogs\/sururi\/2017\/06\/12\/oku-izle-dinle\/","title":{"rendered":"oku izle dinle&#8230; I (dinle)"},"content":{"rendered":"<p><em>&#8230;bir &#8220;eart preyrt lovr&#8221; de\u011fil ama g\u00fczel \u015feyler okuyup izleyip dinledim bu aralar.<\/em><\/p>\n<p><iframe loading=\"lazy\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/UnsmoM1F6gM?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><!--more-->Ben bunlar\u0131 yazarken, mesela, Nada&#8217;dan\u00a0<em>ma che freddo fa<\/em> \u00e7almalarda, \u00f6ncesinde de Nergis Han\u0131m&#8217;la iftar\u0131 Bah\u00e7elerde B\u00f6r\u00fclce, Bir Yang\u0131n\u0131n K\u00fcl\u00fcn\u00fc, Kalenin dibinde ta\u015f ben olayd\u0131m, Oy bah\u00e7enize ben giremedim ve benzeri t\u00fcrk\u00fc\/TSM (TSM daha az) ile yapt\u0131k. Zara&#8217;y\u0131, Ay\u015feg\u00fcl&#8217;\u00fc oldu bitti severim ben, Cem Karaca da 70&#8217;lerin Hayko Cepkin&#8217;i diyece\u011fim, ters olacak ama tersinirler de bence, yak\u0131\u015f\u0131r onlara. Ah, sonra Vega bu Temmuz nihayet (12 y\u0131ldan sonra!) yeni alb\u00fcmle geliyor!<\/p>\n<p>Klasik m\u00fczik cephesinde ke\u015fifleri ekseriyetle ya sevgili Levent&#8217;in tavsiyeleri yahut da BBC 3 sayesinde ger\u00e7ekle\u015ftiriyorum. Ge\u00e7en g\u00fcn harikulade bir \u015fey \u00e7ald\u0131lar, bunu:<\/p>\n<p><iframe loading=\"lazy\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/MSK6Nq2Tv_8?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>Leonardo Garcia Alarcon&#8217;un y\u00f6netiminde, Michalengelo Falvetti&#8217;nin 1683 tarihli Nabucco&#8217;su (Verdi&#8217;nin Nabucco&#8217;sundan bir 120 y\u0131l falan daha evvel, Nabucco da bildi\u011finiz Morpheus&#8217;un bindi\u011fi Babil&#8217;in Nebuchadnezzar&#8217;\u0131n\u0131n Latince\/\u0130talyanca s\u00fcnnet edilmi\u015f hali bu arada). D\u00fczenlemeyi herhalde muhafazakarlar be\u011fenmez ama neyle lut, defle arp \u00e7ok yak\u0131\u015fm\u0131\u015f bence birbirine (kaz sesi \u00e7\u0131karan alet favorim). Ayr\u0131ca bu vesileyle bir contra-alto nas\u0131l d\u00f6kt\u00fcr\u00fcrm\u00fc\u015f, iyice g\u00f6r\u00fcp eyledim (akl\u0131ma can\u0131m patronum da geldi, belki de paralel bir evrende birbiri pe\u015fi s\u0131ra aryalar\u0131n\u0131 s\u00f6yl\u00fcyordur).<\/p>\n<p>\u0130spanyollar, Hispanikler: Bu ke\u015fiften birka\u00e7 \u00a0g\u00fcn sonra da (ge\u00e7en cuma) Ece ile ofiste otururken yine sizlerden nefis olmas\u0131n, \u00a0nefaset bir ba\u015fka yap\u0131t \u00e7al\u0131nd\u0131 kula\u011f\u0131m\u0131za. Ece daha evvelden biliyormu\u015f, ben ilk defa duydum, hemen not ettim: Arturo Marquez&#8217;in (&#8216;u&#8217; yokmu\u015f gibi &#8220;Markez&#8221; gibi okunur) Danzon No.2&#8217;si. BBC popi o\u011flan Gustavo Dudamel&#8217;in (&#8216;Ande, Mozart in the Jungle bu o\u011flan olabilir mi yoksa\/ecebe?) y\u00f6netmenli\u011findeki yorumu \u00e7ald\u0131, ama ben arat\u0131nca \u015fans\u0131ma kar\u015f\u0131ma\u00a0Alondra de la Parra&#8217;n\u0131n \u015fefli\u011findeki hali \u00e7\u0131kt\u0131, bu vesileyle bu han\u0131mefendi ile de tan\u0131\u015fm\u0131\u015f olduk:<\/p>\n<p><iframe loading=\"lazy\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/G945MQ1datY?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>Bu g\u00fczel par\u00e7an\u0131n bestecisi Arturo Marquez &amp;\u00a0Alondra de la Parra Meksikal\u0131; Gustavo Dudamel Venez\u00fcelal\u0131, bir yerlerde Espanyol bir ba\u011flant\u0131 da vard\u0131 ama hat\u0131rlayamad\u0131m \u015fimdi. Videoyu a\u00e7acak olursan\u0131z, internete kazand\u0131ran arkada\u015f\u0131n ismini &#8220;Kaz\u0131m Hasanefendio\u011flu&#8221; olarak g\u00f6receksiniz, benzer \u015fekilde uzunca bir s\u00fcredir dinleyegeldi\u011fim <a href=\"https:\/\/www.youtube.com\/watch?v=liTSRH4fix4\">Brigitte Engerer&#8217;in yorumlad\u0131\u011f\u0131 nefis Chopin nocturnelerinin<\/a> g\u00f6ndericisi de &#8220;Kaymak P\u00fcr\u00fcz\u00fc&#8221; mahlas\u0131yla hayli sevaba giren bir ba\u015fka T\u00fcrk arkada\u015f. \u0130spanyol, Hispanik (Hispanikler \u0130spanyollar\u0131 da kaps\u0131yor bu arada, fark\u0131nday\u0131m ama kalabal\u0131k olsun istedim), T\u00fcrk derken amma milliyet\u00e7i tak\u0131ld\u0131m ama a\u00e7\u0131n rasgele bir pop\u00fcler youtube videosunu, yorumlarda bir anda T\u00fcrk&#8217;\u00fcn genelde hakikaten korkun\u00e7 giri\u015flerini illaki g\u00f6r\u00fcyorsunuz (twitter&#8217;daki milli cevaplar\u0131m\u0131za hi\u00e7 girmeyeyim); hal b\u00f6yle olunca, insan sevdi\u011fi \u015feylerin alt\u0131nda \/ onlarla ilgili olarak ucundan da olsa yurtta\u015f\u0131n\u0131n katk\u0131s\u0131n\u0131 g\u00f6r\u00fcnce keyifleniyor (&#8220;<em>te\u015fekk\u00fcrler kaymak p\u00fcr\u00fcz\u00fc&#8230;&#8221;\u00a0<\/em>8). \u0130ki tane de g\u00f6r\u00fcn\u00fc\u015f\u00fcn\u00fc bildi\u011fim aletin ad\u0131n\u0131 \u00f6\u011frendim bu arada, Alondra de la Parra&#8217;n\u0131n bir ba\u015fka videosunu (<a href=\"https:\/\/www.youtube.com\/watch?v=Un9sXWWuChU\">Piazzolla, Guitarra, Bandone\u00f3n y Orquesta de Cuerdas-Alondra de la Parra &amp; Orchestre de Par\u00eds<\/a>) izlerken (hah, tamam, \u0130spanyol ba\u011flant\u0131s\u0131 buradayd\u0131: gitarist &amp; bandoneon&#8217;u \u00e7alan arkada\u015flar yoluyla (kontrol i\u00e7in gittim bakt\u0131m: gitarist\u00a0Yamandu Costa Brezilyal\u0131; bandoneouncu\u00a0Richard Galliano ise Frans\u0131z imi\u015f &#8212; kendimi bir anda $izoSuru&#8217;da fact-checker g\u00fcnlerimde buldum! 8))). Ah, bir de biraz (epey) \u00fcz\u00fcc\u00fc ama <a href=\"https:\/\/www.youtube.com\/watch?v=azeffnUzevc\">Ravel&#8217;in Pavane pour une infante d\u00e9funte<\/a>&#8216;sini ke\u015ffettim bunca y\u0131ldan sonra <em>(Ayazda Bir Y\u00fcrek sayesinde\/y\u00fcz\u00fcnden Ravel&#8217;in birka\u00e7 (2) eseri kalbimde yarad\u0131r da)<\/em>. Gitar demi\u015fken (yukar\u0131larda bir yerlerde demi\u015ftim, hat\u0131rl\u0131yorum), kendime de not olarak, Levent&#8217;ten tiyoland\u0131\u011f\u0131m iki g\u00fczel \u015feyi de buraya yaz\u0131p ka\u00e7ay\u0131m: 1) Ali Deniz Kardelen&#8217;in\u00a0<em>fingerstyle<\/em> tekni\u011fi ile (ben bilmiyordum, yeni \u00f6\u011frendim) \u00e7ald\u0131\u011f\u0131 par\u00e7alar (tek gitardan ka\u00e7 nota bas\u0131labilir bir anda?), \u00f6rne\u011fin <a href=\"https:\/\/www.youtube.com\/watch?v=f8JLG-Kj1Lc\">Careless Whisper yorumu<\/a>. 2) Sena \u015eener&#8217;in sesi, \u00f6rne\u011fin <a href=\"https:\/\/www.youtube.com\/watch?v=89ecFJfJ_dc\">Self Control yorumu<\/a> (ki normalde bu t\u00fcr yorumlar\u0131 ba\u015flad\u0131\u011f\u0131 anda kapatan bir b\u00fcnyeye sahibim) &#8211; As\u0131m Can G\u00fcnd\u00fcz&#8217;\u00fcn o\u011flu Evrencan G\u00fcnd\u00fcz&#8217;le de <a href=\"https:\/\/www.youtube.com\/watch?v=RcXfoWSMmOY\">g\u00fczel \u015feyler yapm\u0131\u015flar<\/a> ama siz zaten biliyorsunuzdur, benim epey ge\u00e7 haberim oldu..<\/p>\n<p>B\u00f6yle entel dantel gitti\u011fime bakmay\u0131n, ete\u011fimdeki ta\u015flar\u0131 d\u00f6k\u00fcyorum, yoksa yaz\u0131y\u0131 Ayhan Sicimo\u011flu&#8217;nun &#8220;Ahi no ma \/ Oynama Kaynana&#8221;s\u0131 ile bitirece\u011fim.<\/p>\n<p>Buraya kadar olan k\u0131sm\u0131 evvelsi g\u00fcn (pazartesi yani) yazm\u0131\u015ft\u0131m, taslak olarak kaydettim san\u0131yordum, yan\u0131lm\u0131\u015f\u0131m, do\u011frudan okunmaya a\u00e7\u0131k yay\u0131nlanm\u0131\u015f (&#8216;Ande yorum yapm\u0131\u015f da, oradan uyand\u0131m duruma), tekrardan, bu sefer do\u011fru \u015fekilde, tasla\u011fa att\u0131m. Ba\u015flarken m\u00fczik, kipat, f\u00fclm hepsini birden ele al\u0131rd\u0131m diye d\u00fc\u015f\u00fcn\u00fcyordum ama laf\u0131 uzatt\u0131k\u00e7a uzatm\u0131\u015f\u0131m, bu y\u00fczden \u00fc\u00e7leme \u015feklinde yazaca\u011f\u0131m. M\u00fczikle ilgili birka\u00e7 bir \u015fey daha kald\u0131, onlar\u0131 da yaz\u0131p, yollayay\u0131m art\u0131k.<\/p>\n<p>\u0130\u015fte Nabucco&#8217;nun ilgili performans\u0131n\u0131n ses k\u0131sm\u0131n\u0131 mp3&#8217;e aktar\u0131p USB&#8217;ye \u00e7ekmi\u015ftim, evde i\u015f yaparken dinlerim diye, ak\u015fam\u0131na eve geldim, mutfaktaki m\u00fczik \u00e7alara takt\u0131m, \u00e7ok b\u00fcy\u00fck bir dosya oldu\u011fundan san\u0131r\u0131m arkada\u015f\u0131n kapasitesini a\u015fm\u0131\u015f, onu atlayarak ba\u015fka g\u00fczel bir \u015feyler \u00e7almaya ba\u015flad\u0131, bilemedim, hat\u0131rlayamad\u0131m: Kate Nash ile the Unthanks&#8217;in bir araya geldi\u011fini d\u00fc\u015f\u00fcn\u00fcn, \u00f6yle bir \u015feyler (do\u011fal olarak bol \u0130ngri\u015f aksan\u0131 ama \u0130zlandal\u0131larm\u0131\u015f arkada\u015flar), be\u011fendim, dinledim uzun uzun. <a href=\"https:\/\/www.youtube.com\/watch?v=A76a_LNIYwE\"><em>Of Monsters and Men<\/em><\/a> imi\u015f. Me\u011ferse sevgili Georgina bizi ziyaret etti\u011finde \u00e7ekmi\u015fim USB&#8217;ye, unutmu\u015fum sonras\u0131nda, g\u00fczel oldu.<\/p>\n<p>Neyse, neyse, ne diyorduk?<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.izlesene.com\/embedplayer\/5743145\/?showrel=1&amp;loop=0&amp;autoplay=0&amp;autohide=1&amp;showinfo=1&amp;socialbuttons=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8230;bir &#8220;eart preyrt lovr&#8221; de\u011fil ama g\u00fczel \u015feyler okuyup izleyip dinledim bu aralar.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[36],"_links":{"self":[{"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/posts\/6297"}],"collection":[{"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/comments?post=6297"}],"version-history":[{"count":5,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/posts\/6297\/revisions"}],"predecessor-version":[{"id":6303,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/posts\/6297\/revisions\/6303"}],"wp:attachment":[{"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/media?parent=6297"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/categories?post=6297"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/tags?post=6297"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}