{"id":6327,"date":"2017-07-02T00:41:21","date_gmt":"2017-07-01T21:41:21","guid":{"rendered":"http:\/\/www.emresururi.com\/blogs\/sururi\/?p=6327"},"modified":"2017-07-02T01:00:55","modified_gmt":"2017-07-01T22:00:55","slug":"hala-aramizda","status":"publish","type":"post","link":"https:\/\/www.emresururi.com\/blogs\/sururi\/2017\/07\/02\/hala-aramizda\/","title":{"rendered":"H\u00e2l\u00e2 aram\u0131zda…"},"content":{"rendered":"

sevgilim sevgilim<\/em>
\nkuzey sanr\u0131s\u0131 gibidir<\/em>
\ngeceyi be\u015fe filan b\u00f6ler<\/em>
\nsonra ay\u0131lar h\u00fcz\u00fcnden \u00f6lmez<\/em>
\nsevgilim sevgilim<\/em>
\na\u00e7l\u0131ktan \u00f6l\u00fcr onlar<\/em><\/p>\n

T. Uyar, “Aram\u0131zdaki” \u015fiirinden detay.<\/p><\/blockquote>\n

Buraya \u015fu resmi koyman\u0131n tam vakti:<\/p>\n

\"\"Claude Sautet, “Ayazda Bir Y\u00fcrek”ten \u00a0detay.<\/p>\n

<\/p>\n

Ak\u015fama do\u011fru Bilbao’ya indim, barik kart\u0131m hala \u00e7al\u0131\u015f\u0131yormu\u015f, kont\u00fcr\u00fc bile varm\u0131\u015f, havaalan\u0131-\u015fehir otob\u00fcs\u00fcne yeti\u015ftim. Gehry’nin k\u0131rm\u0131z\u0131 k\u00f6pr\u00fcs\u00fc tadilattayd\u0131, Puppy’nin kul\u00fcbesi<\/em><\/a> ayn\u0131 bildi\u011finiz gibiydi, hepinize selam\u0131 var. Odama girip bavulu b\u0131rak\u0131r b\u0131rakmaz markete do\u011fru yolland\u0131m, malumunuz yar\u0131n pazar, her yer kapal\u0131. Market al\u0131\u015fveri\u015finin yan\u0131s\u0131ra, Vegafina Perla’lar\u0131 cebime indirip (bu arada, \u0130spanyolcam yerinde durmu\u015f gibi gibi: derdimi gayet net anlatabiliyorum ama t\u00fct\u00fcnc\u00fc teyzeye de itiraf etti\u011fim \u00fczere “konu\u015fabiliyorum fekat anlayam\u0131yorum” 8), otele geri yolland\u0131m. Sabah saat 5’te maceraya at\u0131lm\u0131\u015f olmam\u0131n da etkisiyle epeyce yorgundum, bir film a\u00e7ay\u0131m dedim, ne zamand\u0131r Per Fly’\u0131n Danimarka \u00fc\u00e7lemesinin (B\u00e6nken (2000)<\/a> – Arven (2003)<\/a> – Drapet (2005)<\/a>) ikinci filmi olan Arven\/Inheritance\/Miras’\u0131 izlemek istiyordum, k\u0131smet bug\u00fcneymi\u015f. Ba\u015frol oyuncusu Ulrich Thomsen, Anders Thomas Jensen’in mis filmlerinde sevip ba\u011fr\u0131m\u0131za bast\u0131\u011f\u0131m\u0131z arkada\u015ft\u0131, dramadaki yetene\u011fini de g\u00f6rd\u00fck (\u015fov yapt\u0131, \u015fovvvv<\/em>!). Anders Thomas Jensen de \u015fu arkada\u015f bu arada:<\/p>\n

\"\"<\/p>\n

(ben ucundan Emren’e benzetirim hep bu pozunu, asl\u0131nda benzemez bilirim ama \u00f6yle i\u015fte. Ayr\u0131ca Kara Kule’nin senaryosunda da katk\u0131da bulunmu\u015f, daha ben ne diyeyim — Adamlar ve Tavuklar hezimetinden sonra b\u00f6yle bir bombaya ihtiyac\u0131 vard\u0131 \u015fahsi g\u00f6r\u00fc\u015f\u00fcm olarak. Ne diyecektim, tamam, zaten Per Fly’\u0131 da Emren sayesinde \u00f6\u011frenmi\u015f idim<\/a>)<\/p>\n

O konuya (Arven) ge\u00e7meden evvel, “vaktiyle” az can\u0131m\u0131 yakmam\u0131\u015f olan Ayazda Bir Y\u00fcrek, Emmanuel Beart foto\u011fraf\u0131n\u0131n an\u0131s\u0131n\u0131 da payla\u015fay\u0131m. \u0130\u015fte Arven’in sonunda Christoffer oturdu\u011fu bar masas\u0131ndan Maria’ya Stephanvari \u00f6yle bir bak\u0131\u015f at\u0131yor ki; \u00f6ncesinde Maria Camillevari \u00f6yle bir sars\u0131l\u0131yor ki, Melih Cevdet’in “An\u0131” \u015fiirinde demesiyle (o u\u011fursuz g\u00fcn\u00fc bir ba\u015fka kara g\u00fcn \u00fczerinden \u00f6ng\u00fcr\u00fcrm\u00fc\u015f\u00e7esine ki, hemen her sene dayanamay\u0131p anar\u0131m, bu sene yapmayaca\u011f\u0131m, yar\u0131n yazmayaca\u011f\u0131m) “Bir \u00e7ift g\u00fcvercin havalansa \/ Yan\u0131k yan\u0131k koksa karanfil \/ De\u011fil bu an\u0131lacak \u015fey de\u011fil \/ Apans\u0131z geliyor akl\u0131ma” gibi bir anda bak\u0131verdi i\u015fte Camille arabadan, Stephan ona bakm\u0131yorken (TM<\/a>).<\/p>\n

Bahar bahsetmi\u015fti bir \u015fekilde diye hat\u0131rlad\u0131m, biraz arad\u0131ktan sonra buldum, “like etmi\u015f”:<\/p>\n

\"\"<\/a><\/p>\n

Gen\u00e7li\u011fimde Rahmi Ko\u00e7’la yap\u0131lm\u0131\u015f bir r\u00f6portaj\u0131 okurken, bir soruya verdi\u011fi cevap hep akl\u0131m\u0131n bir k\u00f6\u015fesinde kald\u0131 (arad\u0131m bulamad\u0131m, akl\u0131mda kalan mealini yazaca\u011f\u0131m, do\u011frulu\u011funun garantisi yok) “insanlar zenginlerin her istediklerini yapabileceklerini, yiyebileceklerini d\u00fc\u015f\u00fcn\u00fcyorlar, yok \u00f6yle bir \u015fey, sonu\u00e7ta beslenmeme, sa\u011fl\u0131\u011f\u0131ma dikkat etmek zorunday\u0131m, d\u00fczenli tenis oynuyorum… (filan filan)”. Evet, burjuvazi, ah o burjuvazi, burjuvazinin gizli \u00e7ekicili\u011fi (bak\u0131n bir ta\u015fla hem Fransa’ya (Le charme discret de la bourgeoisie<\/em>), hem \u0130spanya’ya (Luis Bu\u00f1uel), hem de “Varolman\u0131n Dayan\u0131lmaz Hafifli\u011fi”ne g\u00f6nderme yapt\u0131m, ne kadar \u00f6v\u00fcnsem azzz! (gagoz)!), burjuva ahlak\u0131 vs… Ama yalan m\u0131,\u00a0onlar\u0131n da sorunlar\u0131 var\u00a0<\/em>(tamam, vurmay\u0131n!). Per Fly da buradan vuruyor bu filmde (Arven). “Biz iki ki\u015fiyiz, ama di\u011fer yanda 900 ki\u015finin hayat\u0131\/ge\u00e7imi s\u00f6z konusu” laf\u0131 biraz zorlama olmu\u015ftu ama olsun o kadar, benden y\u0131ld\u0131zl\u0131 pekiyi ile ge\u00e7ti film.<\/p>\n

Bug\u00fcn bir \u015fey ararken (D\u00fc\u015fes “If you come to visit Ephesus…” diye ba\u015flayan ama o noktadan sonras\u0131n\u0131n bu i\u00e7erikle alakas\u0131 olmayan bir tweet’i<\/a> retweet eylemi\u015f, oradan akl\u0131ma:<\/p>\n

Girne
\n\u0130\u00e7ine girme
\nGirersen eylenme
\nEylenirsen evlenme
\nEvlenirsen d\u00f6llenme
\nD\u00f6llenirsen \u00e7ocuk etme
\n\u00c7ocuk edersen evlendirme.<\/p><\/blockquote>\n

tekerlemesi<\/a> gelmi\u015fti, oradan da \u015fimdi hat\u0131rlayamad\u0131m, Yumurta’n\u0131n eski sevgiliye dair filmde biraz\u0131 verilen ama arka planda g\u00fcmb\u00fcr g\u00fcmb\u00fcr par\u00e7alayan diyalo\u011fu<\/a> \u00e7a\u011fr\u0131\u015f\u0131m yapt\u0131, hem oradaki foto\u011fraf da g\u00fczeldir (h\u00fcz\u00fcnl\u00fc \u015fark\u0131lar gibi g\u00fczel<\/em> diyelim):<\/p>\n

\"\"<\/p>\n

 <\/p>\n

 <\/p>\n

Neyse, sonu\u00e7ta, Yumurta, Arven, ve Ayazda Bir Y\u00fcrekkk<\/em><\/a>. H\u00e2l\u00e2.<\/p>\n","protected":false},"excerpt":{"rendered":"

sevgilim sevgilim kuzey sanr\u0131s\u0131 gibidir geceyi be\u015fe filan b\u00f6ler sonra ay\u0131lar h\u00fcz\u00fcnden \u00f6lmez sevgilim sevgilim a\u00e7l\u0131ktan \u00f6l\u00fcr onlar T. Uyar, “Aram\u0131zdaki” \u015fiirinden detay. Buraya \u015fu resmi koyman\u0131n tam vakti: Claude Sautet, “Ayazda Bir Y\u00fcrek”ten \u00a0detay.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[13],"tags":[49,50,51],"_links":{"self":[{"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/posts\/6327"}],"collection":[{"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/comments?post=6327"}],"version-history":[{"count":4,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/posts\/6327\/revisions"}],"predecessor-version":[{"id":6334,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/posts\/6327\/revisions\/6334"}],"wp:attachment":[{"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/media?parent=6327"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/categories?post=6327"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/tags?post=6327"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}