{"id":6635,"date":"2018-08-17T23:14:00","date_gmt":"2018-08-17T20:14:00","guid":{"rendered":"http:\/\/www.emresururi.com\/blogs\/sururi\/?p=6635"},"modified":"2018-08-17T23:27:12","modified_gmt":"2018-08-17T20:27:12","slug":"a-night-at-the-opera-a-day-at-the-races-a-night-in-casablanca","status":"publish","type":"post","link":"https:\/\/www.emresururi.com\/blogs\/sururi\/2018\/08\/17\/a-night-at-the-opera-a-day-at-the-races-a-night-in-casablanca\/","title":{"rendered":"A night at the opera \/ A day at the races \/ A night in Casablanca"},"content":{"rendered":"

(\/sururi @ los museos)<\/p>\n

Bilbao’da \u00e7ok \u015f\u00fck\u00fcr, vakit bulduk da m\u00fczeleri \u015fenlendirebildik. G\u00fczel Sanatlar M\u00fczesi’nin i\u00e7ini her daim Gug’un i\u00e7ine tercih ederim gibi siyah\/beyaz bir c\u00fcmle kurmayay\u0131m ama \u015fimdiye kadar (belki bir David Hockney’e ev sahipli\u011fi yapt\u0131\u011f\u0131 zaman hari\u00e7… belki \/ haydi bir de Victor Vasarely’yi bbk sergi salonunda bodoslama ke\u015ffetti\u011fimiz seferi sayal\u0131m)\u00a0falan…<\/em><\/p>\n

Bu sene G\u00fczel Sanatlar M\u00fczesi (Museo de Bellas Artes de Bilbao) 110. y\u0131l\u0131n\u0131 kutluyor olman\u0131n \u015ferefine, oturmu\u015f, 110 tane eseri se\u00e7mi\u015f deposundan. Eski \u015fehrin (Casco Viejo) ortas\u0131nda (en cerca de), Yeni Meydan’da (Plaza Nueva) Cafe Bilbao vard\u0131r, epey bulu\u015fma, bilinme noktas\u0131d\u0131r, bunlar da duvarlar\u0131 (filan<\/em>):<\/p>\n

\"\" \"\" \"\"<\/p>\n

sanatsal, deg\u00fcstasyonel, canan ile orhan. Txipirones fritas<\/a> bulabilece\u011finiz ender yerlerdendir hem de…<\/p>\n

<\/p>\n

Neyse, neyse, ne diyorduk… G\u00fczel sanatlar, buyurun, buyurun: 110 i\u00e7inden benim se\u00e7tiklerim (bertol ile breh breh).. Beng\u00fclerin orada sergi oldu\u011fu zaman yanl\u0131\u015f bilmiyorsam, g\u00fcn\u00fcn hatr\u0131na, salonun sunuma a\u00e7\u0131lmas\u0131na falan filan istinaden birka\u00e7 tane al\u0131yorlar her sergiden, ben de istesem, bana da g\u00f6nderseler \u015fu se\u00e7ti\u011fim d\u00fcnya g\u00fczellerini kargo ile (haydi hepsi olmaz, bir tane se\u00e7 derlerse de banko Itturino’nun d\u00fcnya g\u00fczeli)… (yeri gelmi\u015fken: Botero’lar\u0131 da 2012’den beri bekliyorum, hala, bu vesileyle, hat\u0131rlatm\u0131\u015f olay\u0131m<\/a>)<\/p>\n

\"\"
Murillo – Saint Peter in Tears (1650)<\/figcaption><\/figure>\n
\"\"
de Vries – Architectural Capriccio with Figures (1568)<\/figcaption><\/figure>\n
\"\"
Zamacois – Cochonnet (1868)<\/figcaption><\/figure>\n
\"\"
Guinea – Group of People (1904)<\/figcaption><\/figure>\n
\"\"
Itturrino – Women Dressed in Grey (1915)<\/figcaption><\/figure>\n

en be\u011fendi\u011fim tablo olan bu g\u00fczelli\u011fe malesef internette watermark’s\u0131z raslayamad\u0131\u011f\u0131mdan, mecburen benim not almak amac\u0131yla \u00e7ekti\u011fim orijinalinden fotosunu da koyay\u0131m (bakmak\/g\u00f6rmek\/\u0131\u015f\u0131k ayar\u0131)<\/p>\n

\"\"
Itturrino – Women Dressed in Grey (1915) (suruwa)<\/figcaption><\/figure>\n

Ya sevgili k\u00e2ri… ne kadar fark ediyor, de\u011fil mi… Ama hakikaten de, ne kadar g\u00fczel bir tablo (Kate Winslet m\u0131 o? Kargodan \u00e7\u0131k\u0131nca, onu Alma-Tadema’n\u0131n “Exhausted Maenads after the Dance (1874)’inin hemen yan\u0131na, alt\u0131na, \u00fcst\u00fcne asaca\u011f\u0131m…). Neyse, devam edelim, devam edelim!…<\/p>\n

\"\"
Zubiaurre – Bersolaris (1917)<\/figcaption><\/figure>\n
\"\"
Quintin de Torre – El Timonel<\/figcaption><\/figure>\n
\"\"
Alberto Sanchez – Figures with Landscape (1962)<\/figcaption><\/figure>\n
\"\"
Rafael Balerdi – Large Garden (1974)<\/figcaption><\/figure>\n

bu da ondan yak\u0131nen \u00e7ekti\u011fim detay:<\/p>\n

\"\"
Balerdi 1974 Detay<\/figcaption><\/figure>\n

son olarak, \u015f\u00f6yle sa\u00e7masapan bir \u015fey vard\u0131, ben anlamad\u0131m ama <Cem Y\u0131lmaz mode on> ressam\u0131n sanat\u00e7\u0131 ki\u015fili\u011fine sayg\u0131mdan<\/em> i\u015fte hede h\u00f6d\u00f6…<\/p>\n

\"\"
Eduardo Arroyo – Marxist Brothers (1991)<\/figcaption><\/figure>\n

Tesad\u00fcf\u00fcn bu kadar\u0131! Ba\u015fl\u0131\u011f\u0131 “Marx Karde\u015flerin” filmlerinden at\u0131yordum, sonra kapan\u0131\u015fa gelen resme bak! Vayyy vayyy vayyy Sunuhi Bey karde\u015fim, hele hele…<\/p>\n

Bu zibi\u015flerle bitirmeyelim \u015fimdi; onun yerine en ba\u015ftaki Cafe Bilbao’nun duvar\u0131ndaki soldan 5. tabloya odaklan\u0131n… iyice odaklan\u0131n… hangi tablo ki acaba bu… h\u00fcp h\u00fcp h\u00fcp, barbatr\u00fck!<\/em><\/p>\n

\"\"
Adolfo Guiard – The Little Village Girl With Red Carnation (1903)<\/figcaption><\/figure>\n

Bilbao G\u00fczel Sanatlar M\u00fczesi ile ilgili detayl\u0131 detaylara m\u00fczenin kendi sayfas\u0131ndan<\/a> ve \/veya Wikimedia Commons’taki giri\u015finden<\/a> ula\u015fabilirsiniz. Esenlikle kal\u0131n, bir sonraki program\u0131m\u0131zda Guggenheim’da ke\u015ffetti\u011fimiz Joana Vasconcelos’u kaynat\u0131rken g\u00f6r\u00fc\u015fmeler dilekleriyle…<\/p>\n

Ben b\u00f6yle \u0130ngilizce ad\u0131yla san\u0131yla yazd\u0131m ama bilirim de tabii genelde Espanyolca olan orijinal isimleri ile \u00fcnlemeyi mamafih, internette en kolay \u0130ngilizce lakaplar\u0131yla bulunuyorlar (tabii lost in translation durumlar\u0131 da oluyor: san\u0131r\u0131m Guinea’n\u0131n tablosuydu… bakay\u0131m bakay\u0131m…. bulamad\u0131m arad\u0131\u011f\u0131m\u0131, olsun, can\u0131m sa\u011folsun).<\/p>\n","protected":false},"excerpt":{"rendered":"

(\/sururi @ los museos) Bilbao’da \u00e7ok \u015f\u00fck\u00fcr, vakit bulduk da m\u00fczeleri \u015fenlendirebildik. G\u00fczel Sanatlar M\u00fczesi’nin i\u00e7ini her daim Gug’un i\u00e7ine tercih ederim gibi siyah\/beyaz bir c\u00fcmle kurmayay\u0131m ama \u015fimdiye kadar (belki bir David Hockney’e ev sahipli\u011fi yapt\u0131\u011f\u0131 zaman hari\u00e7… belki \/ haydi bir de Victor Vasarely’yi bbk sergi salonunda bodoslama ke\u015ffetti\u011fimiz seferi sayal\u0131m)\u00a0falan… Bu sene … Okumaya devam et “A night at the opera \/ A day at the races \/ A night in Casablanca”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[13],"tags":[],"_links":{"self":[{"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/posts\/6635"}],"collection":[{"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/comments?post=6635"}],"version-history":[{"count":3,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/posts\/6635\/revisions"}],"predecessor-version":[{"id":6654,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/posts\/6635\/revisions\/6654"}],"wp:attachment":[{"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/media?parent=6635"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/categories?post=6635"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/tags?post=6635"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}