{"id":7206,"date":"2021-07-09T10:55:54","date_gmt":"2021-07-09T07:55:54","guid":{"rendered":"http:\/\/www.emresururi.com\/blogs\/sururi\/?p=7206"},"modified":"2021-07-09T14:18:33","modified_gmt":"2021-07-09T11:18:33","slug":"of-man","status":"publish","type":"post","link":"https:\/\/www.emresururi.com\/blogs\/sururi\/2021\/07\/09\/of-man\/","title":{"rendered":"…of man"},"content":{"rendered":"

25 years and my life is still
\nTryin’ to get up that great big hill of hope
\nFor a destination
\nI realized quickly when I knew I should
\nThat the world was made up of this brotherhood of man
\nFor whatever that means<\/p><\/blockquote>\n

4 Non Blondes – What’s Up?’dan detay…<\/em><\/p>\n

\"Band<\/p>\n

(4 Non Blondes’un alt\u0131na da ne gitti Band of Brothers, sormay\u0131n! 8P)<\/p>\n

<\/p>\n

Efendim “ertesi g\u00fcn”den, nam-\u0131 di\u011fer 3 g\u00fcn sonras\u0131ndan<\/a>, tekrardan merhabalar! En son can\u0131m\u0131n i\u00e7i sui<\/a>‘nin do\u011fum g\u00fcn\u00fcn\u00fc not d\u00fc\u015fm\u00fc\u015ft\u00fcm, ard\u0131ndan unutmayay\u0131m diye o s\u0131rada akl\u0131mdakileri ka\u011f\u0131da yaz\u0131p, zarfa koymu\u015f, hakeme g\u00f6z k\u0131rp\u0131p “adjourn” etmi\u015ftim, i\u015fte oradayd\u0131k, \u015fimdi\u00a0 de buraday\u0131z, buyurun, giriniz, giriniz…<\/p>\n

DJ Jake Rudh’\u0131n Transmission’\u0131ndan<\/a> bir s\u00fcr\u00fc yeni eski grup \u00f6\u011freniyorum, genelde \u015fark\u0131 baz\u0131nda oluyor ama olsun. Aztec Camera’n\u0131n Good Morning Britain’\u0131<\/a> da bunlardan biri idi (Altered Images’\u0131 \u00f6nceden de biliyordum diye d\u00fc\u015f\u00fcn\u00fcyorum). Pazartesi sabah\u0131 i\u015fte, Emir’in do\u011fum g\u00fcn\u00fc vesilesiyle twitter’dan Good Morning Britain ile -Altered Images’\u0131n- Happy Birthday<\/a>‘i sui’ye “\u015fift\u0131rtt\u0131m”. O da cevab\u0131nda Good Morning Britain’daki Mick Jones’dan bahsedince \u015fa\u015f\u0131rd\u0131m (\u00e7\u00fcnk\u00fc ben bilmiyordum!) — me\u011ferse Clash’in Should I Stay Should I Go Mick’i (BAD g\u00fcnlerini de biliriz biraz uzaktan), o \u015fark\u0131da Aztec Camera’ya konuk olmu\u015f, ben de Emir’in sayesinde \u00f6\u011frenmi\u015f oldum, daha bir sevdim \u015fark\u0131y\u0131. Hani kom\u015funuza bir kapta bir \u015fey verirsiniz, o da size iade ederken i\u00e7ine bir ba\u015fka g\u00fczel \u015fey yap\u0131p koyar, onun gibi oldu. Bir \u00f6rnek -yine sui ile benim aramda vuku bulmu\u015f olan bir \u015fark\u0131: ennn sevdi\u011fim(?) gruplar\u0131n ba\u015f\u0131nda gelen Suicidal Tendencies ile beni tan\u0131\u015ft\u0131ran Sui olmu\u015ftur (hatta kendisiyle tan\u0131\u015fmam\u0131n evvelinde inat fanzini vesilesiyle). Zor g\u00fcnlerin dostu ST onun sayesinde girmi\u015ftir ya\u015fam\u0131ma. Birka\u00e7 sene evvel\u00a0 youtube’de gezerken Body Count’un Institutionalized’\u0131yla<\/a> kar\u015f\u0131la\u015fm\u0131\u015ft\u0131m da, birer mum yak\u0131p sui ile seyrine dalm\u0131\u015ft\u0131k. Ice-T demi\u015fken: It was a good day<\/a> ne kadar \u00fczg\u00fcn g\u00f6r\u00fcn\u00fcp asl\u0131nda ne\u015feli bir \u015fark\u0131ysa, ABBA’n\u0131n Super Trouper’\u0131<\/a> da o kadar ne\u015feli g\u00f6r\u00fcn\u00fcp \u00fczg\u00fcn bir \u015fark\u0131d\u0131r asl\u0131nda, inanmazsan\u0131z (ABBA klibi us\u00fcl\u00fc) d\u00f6n\u00fcp de bak\u0131n:<\/p>\n

I was sick and tired of everything
\nWhen I called you last night from Glasgow
\nAll I do is eat and sleep and sing
\nWishing every show was the last show (wishing every show was the last show)
\nSo imagine I was glad to hear you’re coming (glad to hear you’re coming)
\nSuddenly I feel all right
\n(And suddenly it’s gonna be)
\nAnd it’s gonna be so different
\nWhen I’m on the stage tonight<\/p>\n

(…)<\/p>\n

Tonight the super trouper beams are gonna blind me
\nBut I won’t feel blue (sup-p-per troup-p-per)
\nLike I always do (sup-p-per troup-p-per)
\n‘Cause somewhere in the crowd there’s you<\/p>\n

(…)<\/p>\n

beams are gonna blind me
\nBut I won’t feel blue (sup-p-per troup-p-per)
\nLike I always do (sup-p-per troup-p-per)<\/p><\/blockquote>\n

(…) daha da ertesi g\u00fcnden (cumo) merhabalar! Onu demi\u015fiz, bunu demi\u015fiz, geriye de pek bir \u015fey kalmam\u0131\u015f derken… as\u0131l mevzuyu atlam\u0131\u015f oldu\u011fumu g\u00f6rd\u00fcm.<\/p>\n

Smoke (1995)<\/a> \/ Dead Man (1995)<\/a> \/ Chungking Express (1994)<\/a>\u00a0\u00f6yle bir y\u0131ld\u0131 94-95 e\u011fitim-\u00f6\u011fretim y\u0131l\u0131 (bize geli\u015fi 95-96, \u00fcni 2. seneydi haliyle) ne sihirli bir y\u0131ld\u0131. 15. \u0130stanbul Film Festivali’nde<\/a> Chungking Express ile A Night on Earth’\u00fc iki film bir arada gece sinemas\u0131 olarak izlemi\u015ftik; o sene Jarmusch \u00f6zel g\u00f6steriminde b\u00fct\u00fcn filmlerini de. Smoke’u da festivalde izledi\u011fimi san\u0131yordum (sinemada izledi\u011fim kesin) ama programda bulamad\u0131m, demek ki vizyonda izlemi\u015fim.<\/p>\n

Smoke da, t\u0131pk\u0131 Master & Commander gibi, “sap\u0131na kadarrrrr” bir erkeggggg filmi (var hakikaten de b\u00f6yle bir \u015fey). Grease’in “Stockard Channing”inin b\u00fct\u00fcn s\u00fcperli\u011fiyle (ayr\u0131ca Forest Whitaker ve Lost’un titrek Micheal’\u0131<\/a> da varm\u0131\u015f yaaaa!!!! – o Forest Whitaker ki, bir sonraki Jarmusch filmi olan Ghost Dog’da (1999) g\u00f6nl\u00fcm\u00fcz\u00fcn ba\u011f\u0131na sal\u0131ncak kuracakt\u0131… ). Hikayeyi bilirsiniz,\u00a0 1990 y\u0131l\u0131nda New York Times, Paul Auster’a bir Noel hikayesi sipari\u015fi veriyor, s\u00fcre k\u0131sa, o da bundan esinle “Auggie Wren’s Christmas Story<\/a>“yi yaz\u0131yor (hayli k\u0131sa bir hikaye, dilerseniz 10 dakikada rahat\u00e7a \u015firinleyebilirsiniz, tavsiye de ederim, filmin son 10 dakikas\u0131 da kelimesi kelimesine bu hikayedeki replikler zaten — o da olmad\u0131, bu giri\u015fin sonundaki comic strip onun \u00e7akmas\u0131). Hikaye be\u011fenilince \/ kendi be\u011fenince, Wayne Wang’le filme \u00e7evirelim deyip birka\u00e7 karakter & ba\u011flant\u0131, hikaye daha ekliyorlar y \u00a1voil\u00e0!<\/p>\n

Emir’le filmin sonunu, takkk! diye Tom Waits’in “Innocent when you dream”inin giri\u015fini bay\u0131la bay\u0131la konu\u015ftu\u011fumuzu hat\u0131rl\u0131yorum… bitter-sweet<\/em> g\u00fcnlerdi if you pardon my French… Smoke’da William Hurt’\u00fcn oynad\u0131\u011f\u0131 Paul Benjamin adl\u0131 yazar tabii ki Paul Auster’\u0131n kendisi ama asl\u0131nda tam olarak Emir (ama Emir, Paul Auster’\u0131n kendisi de\u011fil, alakas\u0131 bile yok). \u00d6yle bir insand\u0131r i\u015fte, filmi tekrardan izlerken hep akl\u0131ma geldi, hep benzettim (siz sormadan ben s\u00f6yleyeyim, hay\u0131r, benim Harvey Keitel’\u0131n Auggie’siyle yak\u0131ndan uzaktan alakam yok) — bu arada, filmi cumartesi seyretmeye ba\u015flam\u0131\u015ft\u0131m, g\u00fczel g\u00fczel gidiyordu, sonra titrek Michael y\u00fcz\u00fcnden o Montecristolar \u0131slanmad\u0131 m\u0131, orada daha fazla dayanamay\u0131p, kapatt\u0131m. Ertesi g\u00fcn (pazor) Levent’le nub’lar\u0131m\u0131z\u0131 yudumlarken i\u015fte Smoke’dan da bahsettik — Levent s\u00fcper bir \u015fekilde neredeyse b\u00fct\u00fcn detaylar\u0131 hat\u0131rlar izledi\u011fi filmlerde. Kieslowski muhabbeti de yapt\u0131k, me\u011ferse Tykwer’in \u00e7ekti\u011fi “Heaven<\/a>“\u0131n ard\u0131ndan Araf<\/a> ile Cehennem<\/a> de \u00e7ekilmi\u015f (hem de 2005 – 2007 y\u0131llar\u0131nda), onlar\u0131 da izlenecekler listesine ekledim. Senaryolar ve birinin y\u00f6netmenli\u011fi Kieslowski’nin senaristi\/yazar\u0131 Krzystof Piesiewicz (\u00fc\u00e7 kerede yazabildim ad\u0131n\u0131 do\u011fru) taraf\u0131ndan kotar\u0131lm\u0131\u015f. Arada Heaven’a da bakt\u0131m da, Giovanni Ribisi artist artist tak\u0131l\u0131yor halbuki daha ge\u00e7en g\u00fcn Friends’te maymun format\u0131nda ortalarda dola\u015f\u0131yordu negatif karizma ile! 8P). \u00d6zetle: Smoke. Smoke’un gaz\u0131yla Paul Auster hemen ard\u0131ndan hem de tek ba\u015f\u0131na, bol do\u011fa\u00e7lamal\u0131 Blue in the face’i \u00e7ekmi\u015fti — ondan tek hat\u0131rlad\u0131\u011f\u0131m ba\u015f\u0131ndaki Auggie’nin h\u0131rs\u0131z \u00e7ocu\u011fu yakalay\u0131p, teyze ile girdi\u011fi muhabbet ve akabinde yapt\u0131\u011f\u0131 ile Jim Jarmusch’un muhabbeti, ba\u015fkaca da hi\u00e7bir \u015fey. Bu arada, birka\u00e7 ay \u00f6nce gene gentlemen’s club’da Bar\u0131\u015f bize Jarmusch’un \u00f6\u011frenci projesi filmi gibi bir filmini a\u00e7m\u0131\u015ft\u0131 (Permanent Vacation<\/a>), onu da izlemek laz\u0131m sab\u0131rl\u0131 bir g\u00fcnde.<\/p>\n

San\u0131r\u0131m bu giri\u015flik bu kadar yeter. Jerry Garcia’dan hepimiz i\u00e7in gelsin: Cigarettes and Coffee<\/p>\n