{"id":7223,"date":"2021-08-18T11:05:54","date_gmt":"2021-08-18T08:05:54","guid":{"rendered":"http:\/\/www.emresururi.com\/blogs\/sururi\/?p=7223"},"modified":"2021-08-18T11:09:35","modified_gmt":"2021-08-18T08:09:35","slug":"anders-thomas-jensen-yasujiro-ozu-kaurismaki-cemal-sureya-flaubert","status":"publish","type":"post","link":"https:\/\/www.emresururi.com\/blogs\/sururi\/2021\/08\/18\/anders-thomas-jensen-yasujiro-ozu-kaurismaki-cemal-sureya-flaubert\/","title":{"rendered":"Anders Thomas Jensen, Yasujiro Ozu (+ Kaurismaki), Cemal S\u00fcreya (+ Flaubert)"},"content":{"rendered":"

Anders Thomas Jensen’i 2008 y\u0131lnda sevgili Brian’\u0131n \u00f6nerisiyle “Adam’s Aebler” filmiyle tan\u0131y\u0131p<\/a>, sonras\u0131nda k\u00fclliyat\u0131yla iyice sevmi\u015ftik. En son(dan bir \u00f6nce), haberini al\u0131p, heyecanla bekledi\u011fimiz “Men & Chicken<\/a>” \u00e7ok fena fos \u00e7\u0131k\u0131nca b\u00fcy\u00fck hayalk\u0131r\u0131kl\u0131\u011f\u0131na u\u011fram\u0131\u015ft\u0131k. O nedenle ge\u00e7en sene “Riders of Justice<\/a>“\u0131n haberini al\u0131nca \u00e7ok da heyecanlanmay\u0131p, temkinli yakla\u015fal\u0131m dedik. Film iyi \u00e7\u0131kt\u0131 neyse ki. \u00d6yle m\u00fcthi\u015f yeni bir film de\u011fil, bir silkinip kendine gelme filmiydi \u00e7ok\u00e7a. Biraz Adam’s Aebler, bolca Flickering Lights, \u00fczerine In China They Eat Dogs serpilmi\u015f (akla Jar Jar Abrams’\u0131n “The Force Awakens”\u0131nda yapt\u0131\u011f\u0131 “sakata gelmeyeyim, garanti olsun, eski filmlerden apart\u0131p film diye s\u00fcreyim” mant\u0131\u011f\u0131yla yapt\u0131\u011f\u0131 fan service<\/em> gelmesin — onun aksine, Riders of Justice eli y\u00fcz\u00fc d\u00fczg\u00fcn, tutarl\u0131 bir film olmu\u015ftu). Filmin hemen ba\u015f\u0131nda “Riders of Justice”\u0131n bizim egzantrik karakterlerden kurulu motley crew<\/em> de\u011fil de, bizatihi hedefleri olmas\u0131 g\u00fczel bir detayd\u0131, akl\u0131ma vaktiyle Cemal S\u00fcreya’dan okudu\u011fumu hat\u0131rlad\u0131\u011f\u0131m Madam Bovary saptamas\u0131 geldi: Madam Bovary kitab\u0131 bir Madam Bovary’den bahsedilerek ba\u015flasa da, asl\u0131nda orada bahsi ge\u00e7en Madam Bovary “bizim” Emma Bovary de\u011fildir, b\u00f6yle bir k\u00fc\u00e7\u00fck twist vard\u0131r — keza Er Ryan’\u0131 Kurtarmak filminin (epey k\u00fc\u00e7\u00fck spoiler incoming)<\/p>\n

<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

ba\u015f\u0131nda fenala\u015fan ya\u015fl\u0131 adam\u0131n g\u00f6zlerine odaklan\u0131l\u0131p zamanda geriye gidip Tom Hanks’in g\u00f6zlerinden 2. D\u00fcnya Sava\u015f\u0131 g\u00fcnlerine \u0131\u015f\u0131nlan\u0131nca, do\u011fal olarak ba\u015ftaki ya\u015fl\u0131 adam\u0131 Tom Hanks’le \u00f6zde\u015fle\u015ftiririz (acaba daha \u00f6nce bahsetmi\u015f miydim diye blog’da arama yap\u0131nca konu hakk\u0131nda (12 Monkeys’i de i\u00e7eren) daha detayl\u0131ca bahsetti\u011fim giri\u015fimi<\/a> buldum). Tak\u0131nt\u0131l\u0131 bir adam\u0131m, kafama bir \u015fey tak\u0131l\u0131nca bulana kadar orada durur. Cemal S\u00fcreya’n\u0131n bu saptamas\u0131n\u0131 teyit edebilmek umuduyla \u00f6nce interneti (Cemal S\u00fcreya, Flaubert’in bir\u00e7ok kitab\u0131n\u0131 \u00e7evirmi\u015f oldu\u011fundan \u00e7ok da verimli ge\u00e7medi), sonra da kitapl\u0131\u011f\u0131 kar\u0131\u015ft\u0131rd\u0131m (\u015eapkam Dolu \u00c7i\u00e7ekle, G\u00fcnler, G\u00fcn\u00fcbirlik…) ama bulamad\u0131m. O k\u0131sm\u0131 ararken -bir\u00e7ok \u015feyin yan\u0131s\u0131ra- vaktiyle akl\u0131ma tak\u0131lm\u0131\u015f olan iki \u015feyi buldum: birincisi<\/p>\n

(ne demi\u015f William Blake?\u00a0Sudan korkan\u0131 at\u0131n denizlere!<\/em>\u00a0(demi\u015ftir herhalde, iki dilde arad\u0131m, bulamad\u0131m kaynak).<\/p>\n

“G\u00fczel \u015eark\u0131lar Gibi G\u00fczel”<\/a> ba\u015fl\u0131kl\u0131 giri\u015fimden detay, 13 Temmuz 2018<\/small><\/small><\/p>\n<\/blockquote>\n

\u015e\u00f6yle diyor Cemal S\u00fcreya, 786. G\u00fcn’de:<\/p>\n

A\u015f\u0131r\u0131l\u0131k diyor William Blake, ba\u015fka \u015fey demiyor. “Cehennem Atas\u00f6zleri” derinlere att\u0131 beni. Adam \u015fiirde \u00e7\u0131lg\u0131nl\u0131\u011f\u0131n yerine ba\u015fka \u015fey koyuyor ve ayn\u0131 sonucu al\u0131yor. Rimbaud’nun tersi.<\/p>\n

“Azg\u0131n kaplan ehlile\u015ftirilmi\u015f attan daha bilgedir.”<\/p>\n

Bir yerde de \u015f\u00f6yle diyor:<\/p>\n

“Irma\u011fa at\u0131n suyu seveni.”<\/p><\/blockquote>\n

 <\/p>\n

Haz\u0131r ba\u015flam\u0131\u015fken:<\/p>\n

788. G\u00fcn<\/p>\n

“Aptal, aptall\u0131\u011f\u0131nda iyice dirense bilge olurdu.” W. Blake<\/p><\/blockquote>\n

ile:<\/p>\n

796. G\u00fcn<\/p>\n

“Sarn\u0131\u00e7 su tutar.
\nKaynak su atar.”
\nW. Blake<\/p><\/blockquote>\n

Ge\u00e7en g\u00fcn (tatile \u00e7\u0131kmadan evvel) c\u00e2n\u0131m \u015fairim Haydar Erg\u00fclen’in “Cemal S\u00fcreya i\u00e7in 59 K\u0131rlang\u0131\u00e7”\u0131n\u0131 okuyordum – oradaki giri\u015flerin birinde (kipat\u0131 d\u00fcn k\u00fct\u00fcphaneye iade ettim, \u015fimdi do\u011frudan al\u0131nt\u0131lam\u0131yorum) Cemal S\u00fcreya’n\u0131n \u00e7evirmenli\u011finin de alt\u0131n\u0131 \u00e7iziyor, \u00f6vg\u00fclerinden birinde \u00f6rnek olarak -yanl\u0131\u015f hat\u0131rlam\u0131yorsam- Flaubert’in “L’education Sentimentale”ini “G\u00f6n\u00fcl ki yeti\u015fmekte” ad\u0131yla \u00e7evirmesini g\u00f6steriyordu (Reverdy’den “Y\u00fcrek ki Parampar\u00e7a<\/a>” ad\u0131yla \u00e7evirdi\u011fi “Le coeur \u00e9cartel\u00e9<\/a>” \u015fiiri de sonras\u0131nda \u00e7eviri \u015fiirlerinin topland\u0131\u011f\u0131 kitaba ad\u0131n\u0131 verecekti) (bir parantez daha a\u00e7mak pahas\u0131na, bu konularda efsane olmu\u015f Sabri\u00a0 Esat Siyavu\u015fgil’in “non merci” <-> “Eksik olsun istemem, istemem eksik olsun!<\/a>” \u00e7evirisini anmamak olmaz). G\u00fcnler’de konu ile ilgili \u015f\u00f6yle kar\u015f\u0131t bir g\u00f6r\u00fc\u015fe denk gelince ilgin\u00e7 oldu:<\/p>\n

991. G\u00fcn<\/p>\n

Flaubert’in\u00a0Education Sentimentale<\/em>‘ini\u00a0G\u00f6n\u00fcl E\u011fitimi<\/em> ad\u0131yla \u00e7evirmi\u015ftim. Cem Yay\u0131nevi’nin, D\u00fcnya Klasikleri dizisi aras\u0131nda \u00e7\u0131km\u0131\u015ft\u0131, 1971’de. Y\u0131llar sonra, 1982’de, kitab\u0131n ikinci bask\u0131k\u0131 Adam Yay\u0131nlar\u0131 aras\u0131nda \u00e7\u0131kt\u0131. Asl\u0131nda G\u00f6n\u00fcl E\u011fitimi<\/em> ad\u0131 o g\u00fcn i\u00e7in, ayr\u0131ca benim i\u00e7in hatta bug\u00fcn yine benim i\u00e7in, iyi bir ad(d\u0131).<\/p>\n

Unutmam, o g\u00fcnlerde Melih Cevdet Anday’\u0131n Turgeniev’in\u00a0Babalar ve \u00c7ocuklar<\/em>‘\u0131n\u0131n ad\u0131n\u0131\u00a0Babalar ve O\u011fullar<\/em> olarak de\u011fi\u015ftirdi\u011fini i\u015fittim. Bu beni Education Sentimentale<\/em>‘in T\u00fcrk\u00e7e kar\u015f\u0131l\u0131\u011f\u0131 \u00fczerinde bir daha d\u00fc\u015f\u00fcnmeye g\u00f6t\u00fcrd\u00fc. B\u00fcy\u00fck bir yanl\u0131\u015fl\u0131k yapt\u0131m. Kitab\u0131n yeni bask\u0131s\u0131na\u00a0G\u00f6n\u00fcl ki Yeti\u015fmekte<\/em> dedim.<\/p>\n

\u015eimdilerde \u00fc\u00e7\u00fcnc\u00fc bask\u0131 s\u00f6z konusu. Yeniden G\u00f6n\u00fcl E\u011fitimi<\/em> ba\u015fl\u0131\u011f\u0131na d\u00f6nmek istiyorum. Bir yandan da utan\u0131yorum. Kitap adlar\u0131 \u00f6yle hemen de\u011fi\u015ftirilmemeli. \u00dcstelik bu de\u011fi\u015fiklikte \u00e7ok yanl\u0131\u015f bir \u015fey de var. “G\u00f6n\u00fcl” zaten biraz alaturka bir s\u00f6zc\u00fck; ondan sonra “ki” bast\u0131rmas\u0131, bir de “yeti\u015fmekte” s\u00f6zc\u00fc\u011f\u00fc Flaubert’in y\u00fcz\u00fcne Osmanl\u0131 \u00e7izgileri de \u00e7ekmiyor mu?<\/p>\n

Melih Cevdet’in yapt\u0131\u011f\u0131 de\u011fi\u015fiklikten cesaret alm\u0131\u015ft\u0131m. Ama onunki do\u011fru bir i\u015fti.<\/p>\n

Benim yapt\u0131\u011f\u0131m ay\u0131p, ama ay\u0131b\u0131n da d\u00fczeltilmesi gerek.<\/p><\/blockquote>\n

\u0130ki \u015fey demi\u015ftim, ikincisi de Cemal S\u00fcreya’n\u0131n Do\u011fu Perin\u00e7ek’in Edip Cansever’in\u00a0b\u00fct\u00fcn<\/em> \u015fiirlerini ezbere bildi\u011fini s\u00f6ylemi\u015f oldu\u011funu sanmamd\u0131, halbuki i\u015fin asl\u0131 \u015f\u00f6yle imi\u015f:<\/p>\n

992. G\u00fcn<\/p>\n

(…) Do\u011fu bir siyasa adam\u0131, bir ideolog. Ama ayn\u0131 zamanda \u00fclkemizdeki en \u00f6nde gelen \u015fiirseverlerden biri. \u00d6zellikle bizim ku\u015fak \u015fairlerini \u00e7ok iyi okumu\u015f. \u015eiir belle\u011fi ise harika. Bizimle yak\u0131n ili\u015fkisi de as\u0131l oradan geliyor (\u00f6\u011frencilik y\u0131llar\u0131nda benim \u015fiirimle k\u0131z tavlarm\u0131\u015f…). Ayn\u0131 zamanda Cansever hayran\u0131.<\/p>\n

Do\u011fu, y\u0131llar \u00f6nce Edip’in\u00a0Nerde Antigone<\/em>‘sini ezber etmi\u015f. Ama\u00a0Yeniden<\/em>‘i (b\u00fct\u00fcn \u015fiirleri) okuyunca \u015fa\u015f\u0131rm\u0131\u015f. Bakm\u0131\u015f\u00a0Nerde Antigone<\/em>‘de otuz y\u0131l sonra at\u0131lan b\u00f6l\u00fcmler var, ve otuz y\u0131l sonra eklenen b\u00f6l\u00fcmler. \u0130\u015f, belle\u011findekine uymuyor Do\u011fu’nun. Yan yana a\u00e7t\u0131 kitaplar\u0131. (…)<\/p><\/blockquote>\n

Kitap on y\u0131llard\u0131r a\u00e7\u0131lmam\u0131\u015f halde kitapl\u0131kta duruyordu, Riders of Justice \/ Madam Bovary kaynak aray\u0131\u015f\u0131 sebebiyle a\u00e7t\u0131m, bir ka\u011f\u0131da baz\u0131 ba\u015fl\u0131klar\u0131\/konular\u0131 not etmi\u015fim (YKY’nin yay\u0131nlad\u0131\u011f\u0131 G\u00fcn\u00fcbirlik’te kitab\u0131n sonuna dizin koymu\u015flar (Nurettin Pirim’in eline sa\u011fl\u0131k)). Vaktiyle HT.DUZYAZI ar\u015fivcilik g\u00fcnlerimde eXpressler i\u00e7in bir dizin program\u0131 yazm\u0131\u015ft\u0131m, G\u00fcnler i\u00e7in de yazm\u0131\u015f m\u0131y\u0131m diye bakt\u0131m ama maalesef. Mesela t\u00e2 \u0130T\u00dc y\u0131llar\u0131mdan beri arad\u0131\u011f\u0131m bir “anlat\u0131c\u0131 yaln\u0131zca ya\u015fl\u0131 bir kad\u0131nd\u0131.” muhte\u015fem c\u00fcmlesi vard\u0131r (Balzac, hatta Sarrasine oldu\u011funa eminim ama hi\u00e7 bulamad\u0131m) y\u0131llard\u0131r arad\u0131\u011f\u0131m… Bir ba\u015fkas\u0131 olan “insan\u0131n kendini evinde rahat hissetmemesi bir ahlak sorunudur” laf\u0131n\u0131 ge\u00e7ti\u011fimiz y\u0131llarda nihayet sahibine ula\u015ft\u0131rabildim (Adorno imi\u015f<\/a>). Akl\u0131ma bir s\u00fcr\u00fc \u015fark\u0131 tak\u0131l\u0131yor, s\u00f6zlerini hat\u0131rlamad\u0131\u011f\u0131m, hemen telefonuma m\u0131r\u0131ldan\u0131yorum. Olur da bulmu\u015fsam, onlar\u0131 toplad\u0131\u011f\u0131m bir \u00e7alma listem var Spotify’da<\/a>. Evvelsi g\u00fcnd\u00fc, yine bir tanesi tak\u0131ld\u0131, nihayetinde bir s\u00fcre sonra bulabildim (Transvision Vamp – Baby I Don’t Care), \u00e7alma listeme ekleyeyim dedi\u011fimde halihaz\u0131rda vaktiyle eklemi\u015f oldu\u011fumu g\u00f6rd\u00fcm! 8P<\/p>\n

Ba\u015fl\u0131\u011fa gidip bakt\u0131m, geriye Yasujiro Ozu (+Kaurismaki) kalm\u0131\u015f. Kaurismaki \u00f6yle b\u00f6yle de\u011fil, beni derinden etkilemi\u015f bir y\u00f6netmen. Pek \u00e7ok ki\u015fi gibi ben de “Ge\u00e7mi\u015fi olmayan adam<\/a>” vesilesiyle tan\u0131y\u0131p, bay\u0131ld\u0131m (ailecek bay\u0131ld\u0131k). Birka\u00e7 sene evvel Roger Ebert’in tam puan (two thumbs up \/ 4 y\u0131ld\u0131z 5 pekiyi) verdi\u011fi filmlerin listesini<\/a> tararken orada Yasujiro Ozu’nun Tokyo Hikayesi<\/a>‘ni g\u00f6r\u00fcp merak ettim, sonras\u0131 saadet! \u00c7ok g\u00fczel saptamalar yapm\u0131\u015f Ebert (bir \u00f6nceki sat\u0131rdaki “Tokyo Hikayesi” ba\u011flant\u0131s\u0131 onun incelemesine g\u00f6t\u00fcrmekte). Kaurismaki de Ozu’dan \u00e7ok etkilenmi\u015f y\u00f6netmenlerden:<\/p>\n