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<\/figure>\nHuangyao’nun iki giri\u015fi var: biri b\u00f6yle turistik, milli park ve bah\u00e7eler m\u00fcd\u00fcrl\u00fc\u011f\u00fcn\u00fcn bir d\u00fczenlemesi gibi, di\u011feri ondan \u00e7\u0131k\u0131p geli\u015fen \u015fehrin i\u00e7inden bir ara kap\u0131. Biz tabii ki turist oldu\u011fumuzdan, turnikeli, golf arabalar\u0131 ile ula\u015ft\u0131r\u0131ld\u0131\u011f\u0131n\u0131z giri\u015ften te\u015frif ettik. \u0130yi ki de oradan ba\u015flam\u0131\u015f\u0131z zira bizi mutlu bir heykel kar\u015f\u0131lad\u0131. Heykeller, takdir edersiniz ki genelde “kainat\u0131\/d\u00fcnyay\u0131 kurtaran insanlar\u0131\/olaylar\u0131” tasvir ettiklerinden pek bir \u00e7iddi oluyorlar ne yaz\u0131k ki, ama bu \u00f6yle de\u011fildi i\u015fte, bak\u0131n\u0131z \u015f\u00f6yle:<\/p>\n\n\n\n Kasaban\u0131n g\u00fczel bir kap\u0131s\u0131 var (gayet korunakl\u0131 bir kasaba oldu\u011fu her halinden belli; bizim -\u00e7ok \u015f\u00fck\u00fcr- T\u00fcrkiye\/Osmanl\u0131’dan al\u0131\u015f\u0131k olmad\u0131\u011f\u0131m\u0131z derebeyli\u011fi\/kent-devletler, b\u00f6lgesel sava\u015flar kavram\u0131n\u0131 b\u00f6yle yerlerde epey a\u00e7\u0131k \u015fekilde fark ediyorsunuz). Kasabada san\u0131r\u0131m kimse ya\u015fam\u0131yor, haneleri turistik \u015feyler, otantik yemekler satan d\u00fckkanlara \u00e7evirmi\u015fler. <\/p>\n\n\n\n \u00c7in’de \u00f6\u011frendi\u011fim bir “su kenti” kavram\u0131 var, tahmin edece\u011finiz \u00fczere, i\u00e7inden kanallar\u0131n ge\u00e7ti\u011fi, suyun epey \u00f6nemli bir rol oynad\u0131\u011f\u0131 kentler bunlar (\u00f6rne\u011fin Venedik 8). Sozhou’da \u00e7ok net ve yayg\u0131n bir \u015fekilde deneyimlemi\u015ftik ilkin, burada biraz daha k\u00fc\u00e7\u00fck \u00f6l\u00e7ekte kalsa da suyun kullan\u0131m\u0131 etkileyici. \u00d6rne\u011fin, \u015fehrin kap\u0131s\u0131ndan girdi\u011finizde \u00f6n\u00fcn\u00fczdeki manzara \u015f\u00f6yle oluyor (gelsin panoramik \u00e7al\u0131\u015fmam):<\/p>\n\n\n\n (bu vesileyle panoramik \u00e7ekti\u011fim di\u011fer foto\u011fraflar\u0131 da bulmu\u015f oldum (bunlar telefonda ba\u015fka adla sakland\u0131\u011f\u0131ndan atlam\u0131\u015f\u0131m), \u00f6nceki g\u00fcnden iki tane g\u00fczel vard\u0131, onlar\u0131 da gideyim o giri\u015fin sonuna koyay\u0131m…)<\/p>\n\n\n\n Edward’c\u0131\u011f\u0131m az m\u0131 ko\u015fturdu \u015fu ta\u015fl\u0131 yolda (fenerlerin as\u0131l\u0131 oldu\u011fu binan\u0131n oras\u0131n\u0131 hastane yapm\u0131\u015flard\u0131 filmde). <\/p>\n\n\n\n K\u00f6pr\u00fcden kar\u015f\u0131ya ge\u00e7ip de geriye d\u00f6nd\u00fc\u011f\u00fcn\u00fczde de yukar\u0131da bahsini ge\u00e7irdi\u011fim Edo’nun (Edo ~ Edward Norton) hastane binas\u0131n\u0131 g\u00f6r\u00fcyorsunuz:<\/p>\n\n\n\n Bu da ilk g\u00fcnk\u00fc giri\u015fte<\/a> de al\u0131nt\u0131lad\u0131\u011f\u0131m, filmden ayn\u0131 yer:<\/p>\n\n\n\n Kasaban\u0131n \u00fc\u00e7 “meydan\u0131” var. Meydan\u0131 \u00f6yle t\u0131rnak i\u00e7inde yazd\u0131m zira meydan g\u00f6revini g\u00f6letler y\u00fckleniyor. Ta\u015f binalar\u0131n \u00e7evreledi\u011fi yine ta\u015f binalar\u0131n aras\u0131ndan ge\u00e7ip ikinci k\u0131sma ula\u015f\u0131yorsunuz.<\/p>\n\n\n\n Bu meydanda \u00e7ok, \u00e7oooook ya\u015fl\u0131 bir a\u011fa\u00e7 da var, “ejderhan\u0131n pen\u00e7esi” a\u011fac\u0131 diyorlar. \u00c7inliler her \u015feyi bir \u015feye benzetiyorlar. Asl\u0131nda hakl\u0131lar, ya da daha do\u011fru s\u00f6ylemek gerekirse, d\u00fc\u015f\u00fcn\u00fcnce gayet do\u011fal bir s\u00fcre\u00e7. Bizim bilgisayarlarda\/telefonlarda son 20 y\u0131ld\u0131r tad\u0131n\u0131 \u00e7\u0131kard\u0131\u011f\u0131m\u0131z karakter alg\u0131 sistemini (OCR) onlar do\u011fduklar\u0131 andan itibaren geli\u015ftiriyorlar. Bas\u0131l\u0131\/matbu \u00c7in karakterlerini okumak yine bir yere kadar ama sonu\u00e7ta el yaz\u0131s\u0131n\u0131, f\u0131r\u00e7ayla yap\u0131lm\u0131\u015f, ba\u015f\u0131n\u0131 alm\u0131\u015f gitmi\u015f artistik yaz\u0131larla ba\u015flam\u0131\u015flar i\u015fe. Bu nedenle \u015fu “koca bekleyen oturmu\u015f k\u0131z da\u011f\u0131”, bu “ejder a\u011fac\u0131”, -4. g\u00fcnde g\u00f6sterece\u011fim- “Aslanl\u0131 Cengelde Sabah Ayd\u0131nl\u0131\u011f\u0131” sark\u0131tlar\u0131 gayet normal gelmeli. O \u00e7ooook ya\u015fl\u0131 a\u011fa\u00e7 resimdeki de\u011fil bu arada, biraz ileride ama bu vesileyle, buran\u0131n a\u011fa\u00e7lar\u0131 hakikaten k\u00f6k olay\u0131n\u0131 a\u015fm\u0131\u015flar. Yani k\u00f6klerini yere salmaktan \u00e7ok kalk\u0131p y\u00fcr\u00fcmeye daha yak\u0131n duruyorlar bana sorarsan\u0131z.<\/p>\n\n\n\n Buradan da devam edip, \u00fc\u00e7\u00fcnc\u00fc “meydana” vard\u0131k. <\/p>\n\n\n\n Yeme\u011fimizi oradaki bir lokantada yiyip, geri Guilin’e yola koyulduk. Bu arada, diyelim ki iki ki\u015fi bir lokantaya oturup iki Adana s\u00f6yl\u00fcyorsunuz.. Garson sonra gelip teyit ediyor, istedi\u011finizin ger\u00e7ekten 2 tane mi oldu\u011funu. \u00c7\u00fcnk\u00fc normalde yemekler ortaya konuyor, ortadan k\u00fc\u00e7\u00fck tabaklar\u0131n\u0131za al\u0131yorsunuz (thus: d\u00f6ner masalar).<\/p>\n\n\n\n Guilin’de her yerde Osmanthus (“gui” (\u6842)) \u00fcr\u00fcnleri sat\u0131ld\u0131\u011f\u0131ndan, Steven’a “iyi osmanthus \u00e7ay\u0131 nereden bulabiliriz?” diye sormu\u015ftuk, o da bize “ben sizi o zaman \u00e7ay enstit\u00fcs\u00fcne g\u00f6t\u00fcreyim” demi\u015fti. Hakikaten varm\u0131\u015f \u00f6yle bir yer: devletin \u00e7ay ara\u015ft\u0131rmalar\u0131 yapt\u0131\u011f\u0131 bir yer – ka\u00e7 d\u00f6n\u00fcmd\u00fc \u015fimdi hat\u0131rlam\u0131yorum ama bir k\u0131sm\u0131n\u0131 satabilecekleri kadar \u00fcretim oluyormu\u015f (aka “ma\u011fazas\u0131 var” 8). Gittik, \u00f6nce \u00e7ay tarlas\u0131n\u0131 gezdirip, \u00e7ay \u00fcretiminin her a\u015famas\u0131n\u0131 anlatt\u0131lar, g\u00f6sterdiler sa\u011folsunlar:<\/p>\n\n\n\n \u015eimdi bir itiraf gelsin: ben \u00e7ok uzun bir s\u00fcre (ilkokul dahil, ortaokul hari\u00e7tir, san\u0131r\u0131m) ye\u015fil zeytin ile siyah zeytinin iki ayr\u0131 cins zeytin oldu\u011funu san\u0131rd\u0131m, farklar\u0131n\u0131n i\u015fleni\u015flerinden geldi\u011fini \u00f6\u011frendi\u011fimde \u00e7ok \u015fa\u015f\u0131rm\u0131\u015ft\u0131m (bir de alakas\u0131z ama “zeytin g\u00f6zl\u00fcm, sana meylim nedendir” \u015fark\u0131s\u0131nda seslenilen ki\u015finin g\u00f6zlerini hep siyah olarak d\u00fc\u015f\u00fcn\u00fcr\u00fcm). Konu \u00e7ay olunca, ye\u015fil \u00e7ay, siyah \u00e7ay, beyaz \u00e7ay me\u011ferse hepsi ayn\u0131 yerden geliyormu\u015f! (kald\u0131 ki STGFOP<\/em> filan biliyor olmamla vaktiyle ahkam kesmi\u015fli\u011fim vard\u0131r<\/a>, ona ra\u011fmen!). \u0130\u015fte beyaz \u00e7ay\u0131 sadece en tepedeki tomurcu\u011fu kesip, s\u0131f\u0131r fermantasyonla; ye\u015fili biraz a\u015fa\u011f\u0131dan, biraz fermantasyonla, siyah \u00e7ay\u0131 da (\u00c7inliler bizim ‘siyah’ dedi\u011fimiz \u00e7aya ‘k\u0131rm\u0131z\u0131 \u00e7ay’ diyorlar bu arada ama onun da bir sebebi var, birazdan… \ud83d\ude09 art\u0131k tuttu\u011funu yolup, epey bir fermantasyonla \u00fcretiyorlarm\u0131\u015f. Tarla ve \u00fcretim a\u015famalar\u0131 gezimizden sonra bizi \u00e7ay seremonisine ald\u0131lar. Beyazdan ba\u015flay\u0131p, osmanthus da dahil olmak \u00fczere, hepsinden birer bardak i\u00e7tik. Tabii bardak deyince, oyuncak boyunda olan kaseleri kast ediyorum. \u00c7aydanl\u0131klarla da dalga ge\u00e7iyorduk benim kupamdan daha k\u00fc\u00e7\u00fck diye de, me\u011fer raconu farkl\u0131ym\u0131\u015f: o k\u00fc\u00e7\u00fcc\u00fck \u00e7aydanl\u0131\u011fa biraz kuru \u00e7ay koyuyorsunuz, \u00fczerine s\u0131cak suyu ekleyip, hemen ard\u0131ndan d\u00f6k\u00fcyorsunuz (\u00e7ay\u0131n y\u0131kanmas\u0131na \u00e7ok \u00f6nem veriyorlar — bizde Nergis Han\u0131m da y\u0131kar \u00e7ay\u0131, ben hi\u00e7 y\u0131kamam (tad\u0131 “tozu” 8)). D\u00f6k\u00fcyorsunuz derken de, \u00c7in’deki b\u00fct\u00fcn \u00e7ay tepsileri \u00fc\u00e7 boyutlu, \u00fcst\u00fc illaki \u0131zgaral\u0131 ki, ha\u015fur hu\u015fur d\u00f6kt\u00fck\u00e7e \u00e7aydanl\u0131ktaki suyu, bardaklar\u0131n diplerinde kalanlar\u0131, tepsi tutuyor (bizim adab\u0131m\u0131za ters). Neyse. \u00c7ay\u0131n\u0131z\u0131 ka\u00e7 dakikada demlersiniz? Biz \u00f6rne\u011fin 15-20 dakika bekleriz (N. Han\u0131m daha da uzun) demlenmesi i\u00e7in. \u00c7inliler? 30 saniye, bilemedin, g\u00fczel hatr\u0131n i\u00e7in bir dakika olsun. O “demlenen” \u00e7ay\u0131 da kupalara tam da\u011f\u0131t\u0131yorlar, artm\u0131\u015fsa haydi hop tepsiye boca. \u00c7ay\u0131 i\u00e7tiniz, tamam, g\u00fczel, \u00e7aydanl\u0131\u011fa yine su ekleyin, biraz bekleyip, yine i\u00e7in. Bu \u015fekilde 5-6 sorti yap\u0131l\u0131yor. Ha oluyor mu b\u00f6yle yap\u0131nca, oluyor hakikaten. Hatta de\u011fi\u015fik de oluyor, zira, o ziyarette ke\u015ffetti\u011fimiz “kara \u00e7ay” (dark tea<\/a>) \u00f6rne\u011fin, ilk ba\u015fta hafif oluyor, sonraki kupalarda giderek yo\u011funla\u015f\u0131yor, bir zirveye ula\u015f\u0131p, ard\u0131ndan gelen bardaklarda da yine hafifle\u015fiyor. Bu kara \u00e7ay \u00e7ok, \u00e7ok de\u011fi\u015fik keyfi olan bir \u015feydi. \u00c7in’e \u00f6zg\u00fc imi\u015f, en me\u015fhuru Yunnan b\u00f6lgesinin pu’er \u00e7ay\u0131 olup, “bizim” Guanxi’nin Liu bao’su da 2. veya 3. s\u0131rada geliyormu\u015f. 10-15 y\u0131ll\u0131k oluyor – ac\u0131madan dibine kadar fermente ediyorlar. Tu\u011fla gibi s\u0131k\u0131\u015ft\u0131r\u0131lm\u0131\u015f bir formda geliyor. Zar zor kesip, \u00f6yle demliyorsunuz. Liu bao’nun uzaktan kokkolay\u0131 (meyan k\u00f6k\u00fc) and\u0131ran bir tad\u0131 var (ama meyan k\u00f6k\u00fc yok i\u00e7inde, bildi\u011finiz \u00e7aydan \u00fcretiliyor). \u00c7ok etkilendik, insan (hele de “\u00e7ayc\u0131y\u0131m bennn!” diyen bu<\/em> insan, yours truly) bu ya\u015f\u0131nda yeni bir \u015feyler \u00f6\u011frenebiliyor \u00e7aya dair. Bir blok ald\u0131k (nispeten pahal\u0131yd\u0131 — bizimle ilgilenen \u00e7ocuk ama bir seferde 10 kupa rahat \u00e7\u0131k\u0131yor diye temin etti (tabii sonradan dank etti o 10 kupan\u0131n miniminnac\u0131k beybi bey kupas\u0131 oldu\u011fu ama de\u011fer tabii o tada) 8)<\/p>\n\n\n\n Liu Bao kara \u00e7ay\u0131.<\/p>\n\n\n\n Resimdeki o o\u011flan biblosuyla b\u0131\u00e7a\u011f\u0131 da hediye ettiler sa\u011folsunlar (\u00e7ay\u0131n yan\u0131 s\u0131ra \u00e7ok g\u00fczel kupalar da ald\u0131k, hatta bir saniye, onlar\u0131n da resmini \u00e7ekeyim…)<\/p>\n\n\n\n \u00c7ay \u00f6nemli tabii. \u015eu “d\u0131\u015f g\u00fczellik mi, i\u00e7 g\u00fczellik mi? Hi\u00e7biri de\u011fil, \u00f6nemli olan g\u00fczel \u00e7ay demlemesi, \u00e7ay \u00f6nemli” ‘Baattin’ karikat\u00fcr\u00fcn\u00fc aratt\u0131m, bulamad\u0131m. O resimlerdeki kara o\u011flan biblosu da suyun istenilen s\u0131cakl\u0131\u011fa gelip gelmedi\u011fini anlamaya yar\u0131yor — \u00fcst\u00fcne su d\u00f6k\u00fcyorsunuz, e\u011fer i\u015femeye ba\u015fl\u0131yorsa tamamd\u0131r (gere\u011finden s\u0131cak veya so\u011fuksa da i\u015femiyor — piezotermal-elastik malzemelere ve kat\u0131hal fizi\u011fine katk\u0131lar\u0131ndan dolay\u0131 te\u015fekk\u00fcr ediyoruz 8). B\u0131\u00e7ak da o kara \u00e7ay tu\u011flas\u0131ndan par\u00e7alar kesmek i\u00e7inmi\u015f, \u00e7ok naif kald\u0131 zira en son hilti ile giriyordum…<\/p>\n\n\n\n Oradan Guilin’e d\u00f6nd\u00fck, ak\u015fam hava almaya \u00e7\u0131kt\u0131k, ya\u011f\u0131\u015fl\u0131yd\u0131 biraz. \u015eu iki kulesinin kar\u015f\u0131s\u0131ndaki \u00e7ar\u015f\u0131s\u0131n\u0131 gezdik (turistik cank), g\u00fczel \u0131\u015f\u0131kland\u0131r\u0131lm\u0131\u015f yerlerin resimlerini \u00e7ektik.<\/p>\n\n\n\n Bir de hediyelik e\u015fyalar ile orada ad\u0131m ba\u015f\u0131 satt\u0131klar\u0131 osmanthus’lu kurabiyelerden ald\u0131k.<\/p>\n\n\n\n Ertesi g\u00fcn i\u00e7in planda buradaki kocaman sark\u0131t ma\u011faras\u0131 ile “Fil Kayas\u0131” gezisi vard\u0131. Sark\u0131t ma\u011faras\u0131ndan ba\u015flad\u0131k. Kocaman bir hacim. Steven’\u0131n anlatt\u0131\u011f\u0131na g\u00f6re, buras\u0131n\u0131 y\u00fczy\u0131llard\u0131r b\u00fct\u00fcn kasaba biliyormu\u015f ama hep gizli tutuyorlarm\u0131\u015f s\u0131\u011f\u0131nak olarak kulland\u0131klar\u0131ndan (Y\u00fcz\u00fcklerin Efendisi’ndeki Rohan halk\u0131n\u0131n savunma ama\u00e7l\u0131 \u00e7ekildikleri ma\u011faray\u0131 d\u00fc\u015f\u00fcn\u00fcn). Sonra 1960’larda iki tane asi o\u011flan s\u0131rr\u0131 devlet g\u00f6revlilerine a\u00e7\u0131k etmi\u015fler. Darac\u0131k bir giri\u015fi olup da i\u00e7i dolu f\u0131\u00e7\u0131c\u0131k bir yer. Deli gibi, rengarenk \u0131\u015f\u0131kland\u0131rm\u0131\u015flar, her bir sark\u0131t\u0131 bir \u015feye benzetmi\u015fler (ki al\u0131\u015ft\u0131k art\u0131k, de\u011fil mi? 8).<\/p>\n\n\n\n Yak\u0131ndan bak\u0131nca biz aslanlar\u0131 filan g\u00f6rebilmi\u015ftik ama \u015fimdi resimden hi\u00e7 \u00e7\u0131karamad\u0131m (belki Guilin’in “havas\u0131” bizim kafalar\u0131 da o moda getirmi\u015fti 8))).<\/p>\n\n\n\n Ma\u011farada g\u00fczel g\u00fczel ilerleyip dibine geldi\u011finizde kendinizi bir anda bamba\u015fka bir gezegende buluyorsunuz (Borderlands: The Pre-Sequel oynam\u0131\u015flara epey bir tan\u0131d\u0131k gelebilir):<\/p>\n\n\n\n Ma\u011faran\u0131n \u00e7\u0131k\u0131\u015f\u0131nda da g\u00fczel manzaralar vard\u0131. Biraz \u015fehri gezdik, biraz parkta vakit ge\u00e7irdik. Parkta maymunlar vard\u0131 — hani bizde (Ankara’da) kafeslerinden ka\u00e7m\u0131\u015f ye\u015fil papa\u011fanlardan t\u00fcremi\u015f koloniler var ya parklarda, bu parktaki maymunlar da vaktiyle hayvanat bah\u00e7esinden ka\u00e7\u0131p \u00e7o\u011falm\u0131\u015flar. \u00d6yle komik geliyor, tatl\u0131 filan, aman diyeyim. H\u0131rl\u0131s\u0131 var, h\u0131rs\u0131z\u0131 var, huylusu huysuzu. Benim denk geldi\u011fim iki tanenin biri uysal, munis karakterdeydi ama ya di\u011feri! Off offf! \u0130ki saniye daha kalsam y\u00fcz\u00fcmde \u00e7izikler, yara bereler ve bir \u00f6m\u00fcr boyu s\u00fcrecek travmayla atlatacakt\u0131m (zaten sonras\u0131nda park\u0131n \u00e7e\u015fitli yerlerinde maymunlara kar\u015f\u0131 dikkat edilmesi gerekti\u011fini belirtip, yaral\u0131 bereli, \u0131s\u0131r\u0131lm\u0131\u015f kol-bacak-y\u00fcz resimlerinin oldu\u011fu uyar\u0131lara rastgeldik). \u0130nsana komik geliyor ama olmamal\u0131 (\u00f6rne\u011fin ismi laz\u0131m de\u011fil bir arkada\u015f\u0131 da Japonya’da bir tap\u0131nakta geyikler fena halde k\u0131st\u0131r\u0131p poposundan bir \u0131s\u0131r\u0131k alm\u0131\u015flard\u0131 — ben videosunu g\u00fcle g\u00fcle izledim, e\u015fi videoyu kahkahalarla \u00e7ekmi\u015fti ama tabii ki g\u00fcn\u00fcm\u00fcz\u00fcn \u00e7ok ciddi bir sorunsal\u0131, yetkilileri g\u00f6reve \u00e7a\u011f\u0131r\u0131yorum buradan).<\/p>\n\n\n\n Art\u0131k g\u00fcn\u00fc bitirip de, havaalan\u0131na geldi\u011fimizde bizi (beni) son bir g\u00fczel (\u00e7ok g\u00fczel, \u00e7okkkk!…) s\u00fcrpriz bekliyordu.<\/p>\n\n\n\n GONG L\u0130 ! Beni Gong Li kar\u015f\u0131lad\u0131!<\/p>\n\n\n\n Gong Li, bu na\u00e7iz yazar\u0131n\u0131z\u0131n gen\u00e7li\u011fine bir Maggie Cheung kadar olmasa da epey bir damga vurmu\u015f arkada\u015flardand\u0131r (b\u00fct\u00fcn bunlar hep Tony’nin (Leung) y\u00fcz\u00fcnden). Maggie Cheung, Leslie Cheung, Ziyi Zhang, Tony Leung’\u00fcn, Chow Yun Fat’in, (ve asl\u0131nda Malezya as\u0131ll\u0131 olmas\u0131na kar\u015f\u0131n) Michelle Yeoh (et al.) aksine, Hong Kong de\u011fil, “anakara” (mainland) \u00c7in \u00fcr\u00fcn\u00fcd\u00fcr. \u015eimdi yazaca\u011f\u0131m \u015fey biraz \u00e7eli\u015fkili duracak ama elimden geldi\u011fince a\u00e7\u0131klamaya \u00e7al\u0131\u015fay\u0131m: Gong Li’nin g\u00fczelli\u011fini foto\u011fraflardan takdir etmek zordur, ille de bir filmde rol keserken g\u00f6rmeniz gerekir (bence). Bu bak\u0131mdan kendisini -fikrime kat\u0131lmayabilirsiniz bu arada, tamam\u0131yla benim d\u00fc\u015f\u00fcncem, l\u00fctfen sald\u0131rmay\u0131n- T\u00fcrk\u00e2n \u015eoray’a benzetirim. Ben kendi pay\u0131ma T\u00fcrkan \u015eoray’\u0131 hi\u00e7bir zaman g\u00fczel bulmad\u0131m ama tabii ki ba\u015fl\u0131 ba\u015f\u0131na bir klasman ve tahmin ediyorum hayranlar\u0131n\u0131n onda g\u00f6rd\u00fc\u011f\u00fc g\u00fczellik, benim Gong Li’de buldu\u011fum g\u00fczellikle akran. <\/p>\n\n\n\n Gong Li, Zhang Yimou ile daha konservatuvarda \u00f6\u011frenci iken tan\u0131\u015fm\u0131\u015f, onun has oyuncusu olmu\u015f sonra, Zhang Yimou’nun \u00e7ekti\u011fi onlarca filmde hep ana karakterlerin birini oynam\u0131\u015f. Bu y\u00f6netmen-kad\u0131n oyuncu ba\u011f\u0131 ger\u00e7ek bir ba\u011f (Christian Petzold – Nina Hoss\/Paula Beer ile Joachim Trier’in yak\u0131n zamanl\u0131 ke\u015ffetmi\u015f oldu\u011fum has aktrisi Renate Reinsve ba\u011f\u0131 gibi). Profesyonel ili\u015fkiye ek olarak, ili\u015fkileri ki\u015fisel hayata da ta\u015f\u0131nm\u0131\u015f ve o zaman\u0131n \u00c7in’inde skandal olarak kar\u015f\u0131lanan bir birliktelik ya\u015fam\u0131\u015flar uzun y\u0131llar (Zhang Yimou evliymi\u015f \u00e7\u00fcnk\u00fc ve daha bir s\u00fcr\u00fc \u015fey) – sonra ayr\u0131lm\u0131\u015flar. \u0130kisi de bir ba\u015fkas\u0131yla evlenmi\u015f (dedikodu mode on: Gong Li’nin annesinin dedi\u011fine g\u00f6re ayr\u0131lmalar\u0131n\u0131n sebebi Zhang Yimou’nun ilk e\u015finden bo\u015fanal\u0131 hayli zaman olmas\u0131na ra\u011fmen bir t\u00fcrl\u00fc Gong Li’ye evlenme teklifi etmemesiymi\u015f (if you like it, then you shoulda put a ring on it<\/em>) – ben b\u00f6yle “Gong Li’nin annesi \u015f\u00f6yle didi, b\u00f6yle didi…” diye dedikodu yeti\u015ftirince, kafamda direkt Kibariye’nin annesi canland\u0131 bu arada, iyi mi?!) \u0130\u015fte o d\u00fcnyada ayr\u0131l\u0131nca, film d\u00fcnyas\u0131nda da ayr\u0131lm\u0131\u015f olmu\u015flar. Sonra Yimou Zhang ultra b\u00fcy\u00fck b\u00fct\u00e7eli Hero<\/a> ile House of the Flying Daggers<\/a>‘\u0131 \u00e7ekerken Gong Li’yi davet etmi\u015f ama o ikisinde de nein demi\u015f de, neyse ki \u00fc\u00e7lemenin son filmi Curse of the Golden Flower’<\/a>da oynamaya raz\u0131 olmu\u015f. (t\u0131r\u0131v\u0131r\u0131 bilgi: ikisinin birlikte oynad\u0131\u011f\u0131 1989 tarihli geyik bir komedi filmi de mevcut: A Terra-Cotta Warrior<\/a>). Gong Li’nin oyunculu\u011funu ikisi de birbirinden sa\u011flam To Live<\/a> (1994) ve Raise the Red Lantern<\/a> (1991) filmlerinde gayet net bir \u015fekilde g\u00f6rebilirsiniz ama benim i\u00e7in Gong Li, 2046’n\u0131n bir duvara dayanm\u0131\u015f, y\u0131k\u0131lm\u0131\u015f, h\u00fcng\u00fcr h\u00fcng\u00fcr a\u011flayan Su Li-Zhen’idir<\/a>.<\/p>\n\n\n\n … i\u015fte sonra u\u00e7a\u011fa bindik, evimize d\u00f6nd\u00fck muhte\u015fem Guanxi beldesi gezisinden. G\u00f6kten \u00fc\u00e7 elma d\u00fc\u015ft\u00fc, in\u015fallah bir g\u00fcn k\u0131smet olur, sizlerin de yolu d\u00fc\u015fer oralara…<\/p>\n\n\n\n Yak\u0131nda, bu sayfalarda:<\/em><\/p>\n\n\n\n Ne zaman yaz\u0131l\u0131r t\u00fcm bunlar, kim bilir?.. Bu giri\u015fi yazmaya bu sabah 10:00 gibi ba\u015flam\u0131\u015ft\u0131m, \u015fimdi saat oldu 16:00. Olsun, derdimiz bu olsun, hayat g\u00fczel, yaz\u0131lar ge\u00e7!.. Bug\u00fcn \u00e7ok g\u00fczel bir g\u00fcn! \ud83d\ude0a<\/p>\n","protected":false},"excerpt":{"rendered":" 3. G\u00fcn: Huangyao Kasabas\u0131 Huangyao yolunda iken rehberimiz Steven “Huangyao’yu nereden duydunuz, \u00e7ok merak ettim” diye sordu. Genelde \u00e7ok az yabanc\u0131 turist bilip, \u00f6zellikle gitmek istiyormu\u015f (bir ara orada \u00e7ekilen bir dizi Kore’de \u00e7ok tutulunca, o vesileyle Koreli turist ak\u0131n\u0131na u\u011fram\u0131\u015f ama bu aralar pek bir olay yokmu\u015f). Biz de tabii Painted Veil filmi vesilesiyle … Okumaya devam et “3, 4! Huangyao & Guilin”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[175],"tags":[196,194,191,195],"_links":{"self":[{"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/posts\/8604"}],"collection":[{"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/comments?post=8604"}],"version-history":[{"count":14,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/posts\/8604\/revisions"}],"predecessor-version":[{"id":8680,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/posts\/8604\/revisions\/8680"}],"wp:attachment":[{"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/media?parent=8604"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/categories?post=8604"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/tags?post=8604"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-content\/uploads\/2026\/04\/IMG_20260322_110311.jpg\")
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4. G\u00fcn: Guilin<\/h2>\n\n\n\n
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