{"id":9221,"date":"2026-10-14T14:02:15","date_gmt":"2026-10-14T11:02:15","guid":{"rendered":"https:\/\/www.emresururi.com\/blogs\/sururi\/?p=9221"},"modified":"2026-10-14T14:02:15","modified_gmt":"2026-10-14T11:02:15","slug":"gurer-bey-y-moi-daha-cok-moi","status":"publish","type":"post","link":"https:\/\/www.emresururi.com\/blogs\/sururi\/2026\/10\/14\/gurer-bey-y-moi-daha-cok-moi\/","title":{"rendered":"G\u00fcrer Bey y moi (daha \u00e7ok: moi)"},"content":{"rendered":"\n<p><a href=\"https:\/\/www.imdb.com\/title\/tt0104652\/\">Porco Rosso<\/a>&#8216;yu \u00e7ok severim ama ne zaman kendime pay \u00e7\u0131karmaya kalkacak olsam, G\u00fcrer Bey araya girer zira bende 1 birim Marco&#8217;luk varsa, G\u00fcrer Bey %300 halis Marco&#8217;dur. O halde ikimize gelsin:<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"957\" height=\"512\" src=\"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-content\/uploads\/2026\/10\/PorcoRosso2.jpg\" alt=\"\" class=\"wp-image-9215\" srcset=\"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-content\/uploads\/2026\/10\/PorcoRosso2.jpg 957w, https:\/\/www.emresururi.com\/blogs\/sururi\/wp-content\/uploads\/2026\/10\/PorcoRosso2-300x161.jpg 300w, https:\/\/www.emresururi.com\/blogs\/sururi\/wp-content\/uploads\/2026\/10\/PorcoRosso2-768x411.jpg 768w\" sizes=\"(max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" \/><figcaption class=\"wp-element-caption\">Sene 1929. G\u00fcrer Bey ile ben, giden Gina&#8217;n\u0131n arkas\u0131ndan bakakal\u0131rken&#8230;<\/figcaption><\/figure><\/div>\n\n\n<p><em>(G\u00fcrer Bey&#8217;le de birka\u00e7 hafta evvel, y\u0131llardan sonra, ekrandan g\u00f6r\u00fc\u015ft\u00fck; ne iyi oldu, ne \u00e7ok severim!)<\/em><\/p>\n\n\n\n<!--more-->\n\n\n\n<p>\u0130nsan ilgin\u00e7 bir \u015fey, kendisi hakk\u0131nda bir s\u00fcr\u00fc \u015fey \u00f6\u011frenmeye devam ediyor her ya\u015fta, ben de epey \u015fey \u00f6\u011frendim mesela \u015fu son bir bu\u00e7uk ayl\u0131k s\u00fcre\u00e7te <em>(1.5 ayda nas\u0131l 5 (4.8) kg verilir \u00f6rne\u011fin! 8)<\/em> D\u00fcn ak\u015fam \/ bu sabah itibar\u0131yla kamyonlar yine kavun ta\u015f\u0131yorlar mesela.<\/p>\n\n\n\n<p>\u0130nsan kendisini iyi tan\u0131yan birinden (yapay zekay\u0131 kast ediyorum) de kendisi hakk\u0131nda ilgin\u00e7 bilgiler edinebiliyor bu ba\u011flamda. Gelin birlikte okuyal\u0131m \u015fu halde, kimmi\u015fim, neymi\u015fim ben vay efendim!.. <em>(koyula\u015ft\u0131r\u0131lm\u0131\u015f vurgular yapay zekan\u0131nd\u0131r)<\/em><\/p>\n\n\n\n<h2><strong>Emre Sururi<\/strong><\/h2>\n\n\n\n<p>Akademik \u00e7al\u0131\u015fmalar\u0131nda Emre S. Ta\u015fc\u0131, edebi yaz\u0131lar\u0131nda ise Emre Sururi ismini kullanan Emre Sururi Ta\u015fc\u0131, Hacettepe \u00dcniversitesi Fizik M\u00fchendisli\u011fi B\u00f6l\u00fcm\u00fc&#8217;nde Do\u00e7enttir.<\/p>\n\n\n\n<p><strong>Yazarl\u0131k ve M\u00fcstear \u0130sim:<\/strong> Denemeleri, ki\u015fisel blog yaz\u0131lar\u0131 ve edebi i\u00e7erikleri i\u00e7in Emre Sururi kalem ad\u0131n\u0131 kullanmaktad\u0131r.<\/p>\n\n\n\n<p>Emre Sururi&#8217;nin <strong><a target=\"_blank\" rel=\"noreferrer noopener\" href=\"https:\/\/www.emresururi.com\/blogs\/sururi\/\">Karalamalar<\/a><\/strong> ba\u015fl\u0131kl\u0131 ve <em>&#8220;tekrar et, bug\u00fcn g\u00fcnlerden cuma&#8230;&#8221;<\/em> alt ba\u015fl\u0131kl\u0131 ki\u015fisel blogu, olduk\u00e7a ki\u015fisel ve nostaljik bir dijital g\u00fcnl\u00fck i\u015flevi g\u00f6rmektedir.<\/p>\n\n\n\n<p><strong>Tonu ve Yaz\u0131m Tarz\u0131<\/strong><\/p>\n\n\n\n<p>Yaz\u0131lar\u0131, bir bilim insan\u0131n\u0131n analitik bak\u0131\u015f a\u00e7\u0131s\u0131 ile bir edebiyat\u00e7\u0131n\u0131n melankolisini ve hassasiyetini harmanlar. Denemeleri; i\u00e7 d\u00f6kme (bilin\u00e7 ak\u0131\u015f\u0131) tarz\u0131nda yaz\u0131lm\u0131\u015f, d\u00fc\u015f\u00fcnceli ve samimi yaz\u0131lard\u0131r. Zaman\u0131n ac\u0131-tatl\u0131 ge\u00e7i\u015fini, uzun s\u00fcreli dostluklar\u0131n dinamiklerini, yaln\u0131zl\u0131\u011f\u0131 ve ya\u015f almay\u0131 s\u0131kl\u0131kla masaya yat\u0131r\u0131r.<\/p>\n\n\n\n<p><strong>\u00d6ne \u00c7\u0131kan Temalar ve S\u0131k \u0130\u015flenen Konular<\/strong><\/p>\n\n\n\n<ul>\n<li><strong>Sinema ve Pop\u00fcler K\u00fclt\u00fcr:<\/strong> Ki\u015fisel deneyimlerini genellikle film ve dizilerin s\u00fczgecinden ge\u00e7irerek anlat\u0131r. Yaz\u0131lar\u0131nda, <em>Married&#8230; with Children<\/em> veya <em>Unhappily Ever After<\/em> gibi klasik sit-com&#8217;lardan Woody Allen sinemas\u0131na ve 1980&#8217;lerin nostaljik Hong Kong sinemas\u0131na kadar geni\u015f bir yelpazede duygusal ve analitik yorumlar yer al\u0131r.<\/li>\n\n\n\n<li><strong>Edebiyat ve Dil:<\/strong> Okudu\u011fu kitaplar, dilbilim ve ileti\u015fimin felsefesi \u00fczerine yazar. \u00d6rne\u011fin, Neil Postman&#8217;\u0131n medya k\u00fclt\u00fcr\u00fc ele\u015ftirisine (<em>Televizyon: \u00d6ld\u00fcren E\u011flence<\/em>) ve farkl\u0131 k\u00fclt\u00fcrlerdeki &#8220;\u00e7evrilemeyen kelimeler&#8221; kavram\u0131na \u00f6zel yaz\u0131lar ay\u0131rm\u0131\u015ft\u0131r.<\/li>\n\n\n\n<li><strong>&#8220;Ankaral\u0131l\u0131k&#8221; Kimli\u011fi:<\/strong> Lise y\u0131llar\u0131nda Ankara&#8217;ya a\u015f\u0131k olan yazar\u0131n anlat\u0131lar\u0131nda bu \u015fehir s\u0131k\u00e7a bir arka plan olu\u015fturur; Hacettepe \u00dcniversitesi&#8217;ne yapt\u0131\u011f\u0131 g\u00fcnl\u00fck yolculuklardan \u015fehrin kendine has havas\u0131na kadar Ankara&#8217;y\u0131 s\u0131k\u00e7a i\u015fler.<\/li>\n\n\n\n<li><strong>Akademik Hayattan Anektodlar:<\/strong> Mesleki fizik hayat\u0131n\u0131 edebiyattan ayr\u0131 tutmaya \u00e7al\u0131\u015fsa da, \u00c7in&#8217;deki akademik izin (sabbatical) d\u00f6nemleri veya ODT\u00dc&#8217;deki \u00f6\u011frencilik an\u0131lar\u0131 gibi akademik seyahatleri ve deneyimleri zaman zaman yaz\u0131lar\u0131na s\u0131zar. Bir fizik\u00e7inin teknoloji, kahve ve g\u00fcnl\u00fck rutinlerini detayland\u0131r\u0131r.<\/li>\n<\/ul>\n\n\n\n<p>Blog, <strong>160 sayfay\u0131 a\u015fan<\/strong> geni\u015f ar\u015fiviyle hayat, sanat ve ikisinin aras\u0131ndaki her \u015feye dair uzun soluklu bir g\u00fcnl\u00fck niteli\u011findedir.<\/p>\n\n\n\n<p>Blogundaki yaz\u0131lara bak\u0131ld\u0131\u011f\u0131nda, Emre Sururi d\u00fcmd\u00fcz &#8220;mutlu&#8221; ya da &#8220;mutsuz&#8221; bir insan gibi de\u011fil, olduk\u00e7a <strong>melankolik, kendini iyi tan\u0131yan ve i\u00e7 g\u00f6zlem yapan (i\u00e7e d\u00f6n\u00fck)<\/strong> biri olarak \u00f6ne \u00e7\u0131kmaktad\u0131r.<\/p>\n\n\n\n<p>Yaz\u0131lar\u0131nda, T\u00fcrk edebiyat\u0131nda <em>h\u00fcz\u00fcn<\/em> (\u015fiirsel ve kolektif bir melankoli) olarak adland\u0131r\u0131lan hissiyat\u0131n romantikle\u015ftirilmi\u015f bir katman\u0131 a\u00e7\u0131k\u00e7a g\u00f6r\u00fcl\u00fcr. Yaz\u0131lar\u0131na daha yak\u0131ndan bak\u0131ld\u0131\u011f\u0131nda duygusal d\u00fcnyas\u0131 \u015fu ipu\u00e7lar\u0131n\u0131 verir:<\/p>\n\n\n\n<ul>\n<li><strong>Nostaljideki Huzur:<\/strong> Yaz\u0131lar\u0131n\u0131n b\u00fcy\u00fck bir k\u0131sm\u0131 ge\u00e7mi\u015fe bakmaktan beslenir. Eski pop\u00fcler k\u00fclt\u00fcr \u00f6gelerinde, ge\u00e7mi\u015f dostluklarda ve eski an\u0131larda \u2014i\u00e7inde bir par\u00e7a yaln\u0131zl\u0131k bar\u0131nd\u0131rsa bile\u2014 bir t\u00fcr buruk ne\u015fe ve teselli bulur.<\/li>\n\n\n\n<li><strong>Yazar\u0131n \u0130kilemi:<\/strong> Bir yaz\u0131s\u0131nda, uzun s\u00fcre &#8220;(\u00e7ok \u015f\u00fck\u00fcr) mutluluk ve huzurun getirdi\u011fi atalet&#8221; y\u00fcz\u00fcnden pek bir \u015fey yazamad\u0131\u011f\u0131n\u0131 belirtmi\u015ftir. Bu durum, mutlulu\u011fu sakin ve dingin bir durum olarak g\u00f6rd\u00fc\u011f\u00fcn\u00fc; blog yazma ihtiyac\u0131n\u0131 ve yarat\u0131c\u0131 d\u00fcrt\u00fcs\u00fcn\u00fc ise \u00f6zlem, a\u015f\u0131r\u0131 d\u00fc\u015f\u00fcnme ya da &#8220;gereksiz bir h\u00fcz\u00fcn&#8221; hissetti\u011fi anlar\u0131n besledi\u011fini g\u00f6stermektedir.<\/li>\n\n\n\n<li><strong>Felsefi Kabul:<\/strong> Baz\u0131 yaz\u0131lar\u0131nda, hayat\u0131n her zaman m\u00fckemmel ya da herkesi tatmin edecek \u015fekilde gitmek zorunda olmad\u0131\u011f\u0131n\u0131 kabul ederek daha sakin bir ruh haline ula\u015ft\u0131\u011f\u0131n\u0131 anlat\u0131r. Bunu, d\u00fcnya y\u0131k\u0131l\u0131rken \u015fezlongunda sakince oturan bir karaktere benzetir; bu sinizmden ziyade huzurlu, stoac\u0131 bir kabulleni\u015ftir.<\/li>\n<\/ul>\n\n\n\n<p>Ancak <strong>blogun d\u0131\u015f\u0131ndaki d\u00fcnyada<\/strong> bu tablo \u00f6nemli \u00f6l\u00e7\u00fcde de\u011fi\u015fmektedir. <a href=\"https:\/\/eksisozluk.com\/emre-sururi--722544\">Ek\u015fi S\u00f6zl\u00fck<\/a> gibi platformlardaki \u00f6\u011frenci yorumlar\u0131na ve topluluk geri bildirimlerine bak\u0131ld\u0131\u011f\u0131nda, <strong>inan\u0131lmaz derecede s\u0131cak, enerjik ve ne\u015feli bir profes\u00f6r<\/strong> olarak tan\u0131mlanmaktad\u0131r. \u00d6\u011frencileri, onun g\u00fcler y\u00fczl\u00fc tavr\u0131n\u0131, emojileri s\u0131k\u00e7a kullanmas\u0131n\u0131, s\u0131nav g\u00f6zetmenlerine kahve ikram etmesini ve m\u00fchendislik fizi\u011fi gibi olduk\u00e7a zor bir dersi e\u011flenceli ve hafif bir hale getirmek i\u00e7in g\u00f6sterdi\u011fi \u00e7abay\u0131 \u00f6vg\u00fcyle anlat\u0131r.<\/p>\n\n\n\n<p>\u00d6zetle, blogu onun i\u00e7e d\u00f6n\u00fck yan\u0131n\u0131, buruk d\u00fc\u015f\u00fcncelerini ve karma\u015f\u0131k fikirlerini \u00f6zg\u00fcrce b\u0131rakt\u0131\u011f\u0131 duygusal bir de\u015farj alan\u0131d\u0131r. <a href=\"https:\/\/epigraf.fisek.com.tr\/\">Epigraf internet ar\u015fivi<\/a> melankoliyle yak\u0131ndan tan\u0131\u015fm\u0131\u015f bir ruhu yans\u0131tsa da, ger\u00e7ek hayattaki etkile\u015fimleri \u00e7evresine b\u00fcy\u00fck bir pozitiflik, \u00f6zen ve ayd\u0131nl\u0131k sa\u00e7an bir insan\u0131 g\u00f6stermektedir.<\/p>\n\n\n\n<p>Emre Sururi&#8217;nin edebi ele\u015ftiriye yakla\u015f\u0131m\u0131, al\u0131\u015f\u0131lagelmi\u015f geleneksel veya mesafeli bir akademisyen ele\u015ftirmen tarz\u0131nda de\u011fildir. Ele\u015ftirileri daha ziyade <strong>varolu\u015f\u00e7u, ki\u015fisel ve yap\u0131sal odakl\u0131d\u0131r<\/strong>; bu durum fizik ve teknik programlama ge\u00e7mi\u015finden de b\u00fcy\u00fck \u00f6l\u00e7\u00fcde etkilenmi\u015ftir.<\/p>\n\n\n\n<p><strong>Klasi\u011fe Kar\u015f\u0131 \u00c7\u0131kan \u00c7er\u00e7eve<\/strong><\/p>\n\n\n\n<p>Ki\u015fisel sitesinde, okuma temelinin geleneksel okul kanonlar\u0131 veya d\u00fcnya klasikleriyle ba\u015flamad\u0131\u011f\u0131n\u0131 a\u00e7\u0131k\u00e7a belirtir. Aksine, edebi zevki gen\u00e7lik y\u0131llar\u0131nda ke\u015ffetti\u011fi <strong>bilim kurgu ve korku<\/strong> ile \u015fekillenmi\u015f, ard\u0131ndan modern yeralt\u0131 edebiyat\u0131 ve varolu\u015f\u00e7u d\u00fcz yaz\u0131ya y\u00f6nelmi\u015ftir. Bu nedenle ele\u015ftirileri klasik ahlaki mesajlar\u0131 tamamen pas ge\u00e7er. Metinleri, insan\u0131n varolu\u015fsal abs\u00fcrtl\u00fc\u011f\u00fcn\u00fc ne kadar etkili aktard\u0131\u011f\u0131na g\u00f6re de\u011ferlendirir; eserleri s\u0131k\u00e7a Friedrich Nietzsche, Jean-Paul Sartre ve Franz Kafka&#8217;n\u0131n s\u00fczgecinden ge\u00e7irir. <\/p>\n\n\n\n<p>Kitaplar\u0131 ele al\u0131rken, zevki konusunda hi\u00e7 \u00e7ekinmez. Ham psikolojik derinlikleri tercih eder; Ernesto Sabato&#8217;nun T\u00fcnel adl\u0131 roman\u0131n\u0131 kendisini tamamen alt\u00fcst eden nadir romanlardan biri olarak g\u00f6stermektedir. Ayn\u0131 zamanda, b\u00fcy\u00fck kanonik \u00fcsluplardan mesafesini bilin\u00e7li bir \u015fekilde korumaktad\u0131r; Gabriel Garc\u00eda M\u00e1rquez gibi b\u00fcy\u00fcl\u00fc ger\u00e7ek\u00e7ilik ikonlar\u0131ndan uzak durdu\u011funu ve Jorge Luis Borges&#8217;in karma\u015f\u0131k yap\u0131lar\u0131n\u0131 tercih etti\u011fini itiraf etmi\u015ftir.<\/p>\n\n\n\n<p><strong>Modern T\u00fcrk Modernizmine Olan Tutkusu<\/strong><\/p>\n\n\n\n<p>Analitik odak noktas\u0131n\u0131n \u00f6nemli bir k\u0131sm\u0131, modern T\u00fcrk edebiyat\u0131n\u0131n ustalar\u0131na, \u00f6zellikle de <strong>O\u011fuz Atay<\/strong>&#8216;a ayr\u0131lm\u0131\u015ft\u0131r. Atay&#8217;\u0131n yaz\u0131m okuluna y\u00f6nelik ele\u015ftirileri; <em>Tutunamayanlar<\/em>, ayd\u0131n yabanc\u0131la\u015fmas\u0131 ve i\u00e7 konu\u015fma teknikleri etraf\u0131nda \u015fekillenir. Blogundaki <strong>&#8220;Entel&#8221;<\/strong> kategorisinde, T\u00fcrk yazarlar\u0131n Do\u011fu gelenekleri ile Bat\u0131l\u0131la\u015fma aras\u0131ndaki gerilimi nas\u0131l y\u00f6netti\u011fini inceler ki bu kavramsal \u00e7er\u00e7eve, 90&#8217;lar\u0131n sonunda kurucular\u0131 aras\u0131nda yer ald\u0131\u011f\u0131 <em>Mizan<\/em> edebiyat dergisinde de ke\u015ffetmeye \u00e7al\u0131\u015ft\u0131\u011f\u0131 bir aland\u0131r.<\/p>\n\n\n\n<p><strong>Matematiksel Mant\u0131k ve Metin Ak\u0131\u015f\u0131<\/strong><\/p>\n\n\n\n<p>G\u00fcnl\u00fck profesyonel hayat\u0131n\u0131 GNU Octave ve matematiksel mant\u0131k gibi kat\u0131 kurallar\u0131 olan dillerle ge\u00e7irdi\u011fi i\u00e7in, edebi ele\u015ftirilerinde de s\u0131kl\u0131kla <strong>dilsel hassasiyete ve anlamsal s\u0131n\u0131rlara<\/strong> odaklan\u0131r. Dilin yetersizlikleri \u00fczerine yazar, \u00e7evrilemeyen kavramlar\u0131 inceler ya da avangart metinlerdeki yap\u0131sal par\u00e7alanman\u0131n insan alg\u0131s\u0131n\u0131 nas\u0131l de\u011fi\u015ftirdi\u011fini ara\u015ft\u0131r\u0131r. Anlat\u0131 yap\u0131s\u0131n\u0131 karma\u015f\u0131k bir denklem gibi ele alan yazarlar\u0131 (Jorge Luis Borges veya Ernesto Sabato gibi) destekler ve s\u0131k\u0131 kurulmu\u015f bir kurgunun dilsel israfa nas\u0131l yer b\u0131rakmad\u0131\u011f\u0131n\u0131 analiz eder.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>\u015eimdi (bu arada: yaz\u0131y\u0131 tekrardan ben ele ald\u0131m bu noktada &#8212; Emre ben.) yapay zeka karde\u015fim, bir kere indir o eli, g\u00fczel s\u00f6ylemi\u015fsin ama Nietzsche, Sartre ile Kafka&#8217;n\u0131n yerlerini \u015eopi&#8217;ye b\u0131rakmalar\u0131n\u0131n \u00fczerinden 20 y\u0131l ge\u00e7ti, geride kalm\u0131\u015fs\u0131n (Ernesto Sabato&#8217;yu ben bile unutmu\u015ftum ama o konuda hakl\u0131s\u0131n. Borges b\u00fct\u00fcn ha\u015fmetiyle gelince, Sabato biraz g\u00f6lgede kald\u0131 a\u00e7\u0131k\u00e7as\u0131). Ayr\u0131ca O\u011fuz Atay, eyvallah ama <em>Tutunamayanlar<\/em> de\u011fil yaw, tabii ki <em>Tehlikeli Oyunlar<\/em> (daha bu sabah &#8220;<a href=\"https:\/\/epigraf.fisek.com.tr\/index.php?num=76\">En B\u00fcy\u00fck Hazinemiz Akl\u0131m\u0131zd\u0131r<\/a>&#8221; pasaj\u0131n\u0131 okuyordum yine, az evvelinde de Engin Bar\u0131\u015f Kalkan&#8217;\u0131n &#8220;Emek De\u011fil Al\u0131nteri&#8221; hikayesini (n. defa) bitirmi\u015ftim (ge\u00e7en &#8220;Fakat M\u00fczeyyen Bu Derin Bir Tutku&#8221;nun son 30 sayfas\u0131n\u0131 okudum da, oradan can\u0131m \u00e7ekmi\u015f olmal\u0131). Zaten bu aralar hep \u00f6nceden okudu\u011fum, sevdi\u011fim \u015feyleri okur oldum, misal Terrence McNally&#8217;nin &#8220;Frankie and Johnny in the Clair de Lune&#8221;\u00fc &#8211; ne \u00e7ok severim! <em>(onunla da ilgili yazmak i\u00e7in i\u00e7imde epey bir istek vard\u0131 ama anla\u015f\u0131lan kavun kamyonlar\u0131na d\u00fc\u015fm\u00fc\u015f gitmi\u015f o istek de&#8230; \ud83e\udd37\ud83c\udffd\u200d\u2642\ufe0f)<\/em><\/p>\n\n\n\n<p>Neyse bakal\u0131m, \u00f6zetle: bitti gitti, tekrardan merhabalar!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Porco Rosso&#8216;yu \u00e7ok severim ama ne zaman kendime pay \u00e7\u0131karmaya kalkacak olsam, G\u00fcrer Bey araya girer zira bende 1 birim Marco&#8217;luk varsa, G\u00fcrer Bey %300 halis Marco&#8217;dur. O halde ikimize gelsin: (G\u00fcrer Bey&#8217;le de birka\u00e7 hafta evvel, y\u0131llardan sonra, ekrandan g\u00f6r\u00fc\u015ft\u00fck; ne iyi oldu, ne \u00e7ok severim!)<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[212],"_links":{"self":[{"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/posts\/9221"}],"collection":[{"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/comments?post=9221"}],"version-history":[{"count":1,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/posts\/9221\/revisions"}],"predecessor-version":[{"id":9222,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/posts\/9221\/revisions\/9222"}],"wp:attachment":[{"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/media?parent=9221"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/categories?post=9221"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.emresururi.com\/blogs\/sururi\/wp-json\/wp\/v2\/tags?post=9221"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}